Average Rating: 8.2/10
Reviews Counted: 36
Fresh: 33 | Rotten: 3
A superbly-mounted adaptation of E.M. Forster's tale of British class tension, with exceptional performances all round, Howard's End ranks among the best of Merchant-Ivory's work.
Average Rating: 9.8/10
Critic Reviews: 6
Fresh: 6 | Rotten: 0
A superbly-mounted adaptation of E.M. Forster's tale of British class tension, with exceptional performances all round, Howard's End ranks among the best of Merchant-Ivory's work.
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Average Rating: 3.7/5
User Ratings: 12,224
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony
Mar 13, 1992 Wide
Jun 18, 2001
Sony Pictures Home Entertainment
All Critics (36) | Top Critics (6) | Fresh (36) | Rotten (3) | DVD (13)
It's time for legislation decreeing that no one be allowed to make a screen adaptation of a novel of any quality whatsoever if Ismail Merchant, James Ivory and Ruth Prawer Jhabvala are available, and if they elect to do the job.
The film serves Forster by taking to heart the book's epigraph: "Only connect."
Merchant and Ivory have regathered many of the cast and crew from their earlier films to work on this reproduction to exquisite effect.
A film seething with anger, passion, greed and emotional violence. That the characters are generally well-behaved says less about their manners than their inhibitions.
British class conflict; ok for older teens.
Not my cup of tea. I don't even like tea.
Say "Merchant-Ivory" to most cinephiles and watch their eyelids sag.
The pairings of Margaret and Henry, and Helen and Leonard, attempt to cross fault lines widened by class, and the tragedy of Howards End is in the absolute necessity and absolute inefficacy of doing so at their moment in history. [Blu-ray]
Along with Room With a View, this films represents the best of the Ismail-Merchant literary adaptations, one in which contents and style are congruent and harmonious.
The performances are impeccable, but honours go to Thompson, who manages to make Margaret's saintliness actually seem seductive.
Hopkins and Thompson are so perfect together it's hard not to buy them as a couple
The best of the countless Merchant Ivory productions - and arguably the most appreciated by those who don't even like Merchant Ivory movies.
Marvellously well done like its predecessors, but here teetering toward prestige.
The Merchant-Ivory adaptation of E.M. Forster's "Howards End" is a flat out masterpiece. It's the perfect storm of literature, production design, ensemble acting, costumes, lavish cinematography and beautiful dialogue. The film is emotionally resonant, existentially complex, and profoundly thrilling at times. For a two
July 27, 2011Super Reviewer
Howards End is so stunningly beautiful it's like looking at a 140-minute long postcard. It's also just as slow-paced, though. And quite talky. But watching these incredible characters talk, quarrel and love is what makes this film a pleasure. The cast is impeccable: Emma Thompson, Helena Bonham Carter, Vanessa
July 4, 2011Super Reviewer
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