Average Rating: 6.9/10
Reviews Counted: 107
Fresh: 85 | Rotten: 22
An affectionate tribute to rock's most distinctive instrument, It Might Get Loud is insightful and musically satisfying.
Average Rating: 6.9/10
Critic Reviews: 24
Fresh: 17 | Rotten: 7
An affectionate tribute to rock's most distinctive instrument, It Might Get Loud is insightful and musically satisfying.
liked it
Average Rating: 3.9/5
User Ratings: 17,033
Academy Award-winning An Inconvenient Truth director Davis Guggenheim focuses his probing lens on a subject that's decidedly less urgent but no less fascinating with this look at the electric guitar featuring Led Zeppelin's Jimmy Page, U2's the Edge, and the White Stripes' Jack White. Growing up, all three guitarists realized their rebellion through music: Page was attempting to subvert the sugary-sweet pop music of the 1960s, the Edge was hell-bent on making the guitar solos of the 1970s a
Aug 14, 2009 Wide
Dec 22, 2009
$1.2M
Sony Pictures Classics
All Critics (107) | Top Critics (24) | Fresh (85) | Rotten (22) | DVD (2)
Guitar heroes, real or imaginary, will think they've died and gone to heaven.
The trouble is, once you get past the historical information and chummy interviews, you have to put up with the inevitable risk of any ad-hoc jam session: It Might Get Boring.
Davis Guggenheim's contrived documentary is a largely unrewarding essay on the mystique of the ubiquitous electric guitar...
Rock fans and Guitar Heroes in the making will get a charge out of visiting where the happy accidents that put guitars into each man's hand happened. And the playing isn't bad, either. Loud. But good.
For guitar geeks, the sight of Page, Edge and White together in one room will be enough. Others, however, can't help but wish it might have gotten a little louder.
While that sounds like a fantasy for rock aficionados, the scenes lack dramatic tension or cinematic enlightenment. It just kind of happens, and then the all-star jam fades to black, leaving few remnants of the filmmakers' initial intentions.
Turn up the volume.
there are some lovely moments in the film simply due to the high profile reputations of the three musicians
Guggenheim's depictions of his subjects' artistic development will strike universal chords in anyone who finds meaning in creativity.
Watching this film, we are utterly gripped as we hear the stories of three rock guitar legends and then see them interacting with each other. Yet while there's never a dull moment, the film still feels a bit random.
The mood's too good-spirited, and in that there are great pleasures - not least the sound-of-mind thinking of three rockers putting paid to the tired cliché of burbling rock gods trapped in their own shadows.
The film might have benefited from a trim and a more linear approach, but mostly it fulfils its role as an illuminating homage to both the protagonists involved and, above all, the guitar as popular music's most timeless icon.
For guitar freaks and fans of these guys, the film gives you a unique chance to hang out with some real guitar heroes.
A bizarre follow-up to the fifth biggest cinema documentary of all time, and one that's as testing on the patience as a 10-minute guitar solo with extra tremolo.
It's artfully assembled in an unflashy manner.
It's never less than a compelling watch as the trio of turbo-charged troubadours swap anecdotes.
Guggenheim's attempts to inject some drama hit a bum note while the climactic summit between the three axe gods is let down by a lack of chemistry, resulting in more of a cheerful jam than a headline act.
Fellow players and aspiring rock gods will thrill at the scenes of the trio jamming together, but Guggenheim's film never takes an insular "muso" view and has plenty to offer the lay person.
If you're a fan of any of their bands, rock music or the electric guitar, you'll find a lot to love here.
Even for me, a rock illiterate, this is interesting.
The film gets up close and personal, proving that each is a musician first and a rock 'n' roll star afterwards.
The film seems a bit too in thrall to U2, which means far too much time is devoted to The Edge at the expense of watching Page fire through some of his thunderous Led Zeppelin riffs.
The personal stories are informative, interesting and nicely illustrated but the central meeting between the three men lacks both passion and personality.
Alrighty! It is that time again - Documentary time. It Might Get Loud. I saw this particular documentary about year ago but just had to watch it again this weekend. Why? Well, because this one is about music. Although movies are my number one passion, (obviously) music is my second. If I am awake 16 hours a day I am
September 15, 2011Super Reviewer
The White Stripes' Jack White, Led Zeppelin's Jimmy Page and U2's The Edge explore the enduring appeal of the electric guitar. With White, on the one hand, bemoaning technology as a "big destroyer of emotion and truth" and The Edge, conversely, enthusing that effects units "have always pushed music
August 15, 2009Super Reviewer
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