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Jigoku (The Sinners of Hell)

Jigoku (The Sinners of Hell) (1960)

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Average Rating: 3.5/5
User Ratings: 1,102

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Movie Info

When a young college student had his sadistic friend leave a respected yakuza to die after inadvertently running him down on a lonely stretch of road, their fate is sealed in director Nobuo Nakagawa's Japanese horror classic Jigoku. Shiro's life seems to be going well; he's in love with pretty Yukiko and just received her parent's permission to take her hand in marriage. When his roommate, Tamura, runs down a drunken yakuza and refuses Shiro's plea to return to the scene of the crime and help

Sep 19, 2006

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Audience Reviews for Jigoku (The Sinners of Hell)

while being an incredibly flawed film in many ways, jigoku is also utterly profound in its message and entirely effective in its execution. a film about a "good" man who through a series of poor choices finds himself in hell, this film builds well in its first two acts until a final act that enthralls completely. while ones world view may get in the way of their ability to be effected by the portraits of hell in the film, one cant escape the empty feeling that the film provides of a godless existence. a great and creative horror film the likes of which is rarely seen in this genre anymore.
June 7, 2009
sanjurosamurai
danny d

Super Reviewer

Jigoku is supposed to be the first picture that used gore as a serious special effect, making it the grandfather of movies like The Texas Chainsaw Massacre, Hellraiser and such. Of course, you can't watch the end of the movie without the beginning, so you really have to make the choice of suffering through the first half of tedious exposition so you can enjoy the last half before giving up on it, entirely.

I can't tell you not to see Jigoku, just that it's no longer the terrifying journey it apparently was back in the sixties. The first hour is long enough that I feel confident saying I don't really think I'll ever feel compelled to sit through it again. Western cinema such as Hellraiser owes a great debt to the stylization of the torture sequences, but they are tame in comparison to Clive Barker's far more sexual and visual depiction's two decades later. It is more interesting from cultural and religious perspectives than from a horror angle, but not very.
May 21, 2008
DrBenway
El Hombre Invisible

Super Reviewer

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