Average Rating: 8.9/10
Reviews Counted: 31
Fresh: 30 | Rotten: 1
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Average Rating: N/A
Critic Reviews: 4
Fresh: 4 | Rotten: 0
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Average Rating: 4.2/5
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Acclaimed French director François Truffaut's third and, for many viewers, best film is an adaptation of a semi-autobiographical novel by Henri-Pierre Roché. Set between 1912 and 1933, it stars Oskar Werner as the German Jules and Henri Serre as the Frenchman Jim, kindred spirits who, while on holiday in Greece, fall in love with the smile on the face of a sculpture. Back in Paris, the smile comes to life in the person of Catherine (Jeanne Moreau); the three individuals become constant
Jan 23, 1962 Wide
Nov 16, 1999
Janus Films
All Critics (34) | Top Critics (5) | Fresh (39) | Rotten (1) | DVD (20)
More than 40 years old, François Truffaut's whirling dervish remains an ageless beauty.
With this 1961 film Truffaut comes closest to the spirit and sublimity of his mentor, Jean Renoir, and the result is a masterpiece of the New Wave.
There is joy in the filmmaking that feels fresh today and felt audacious at the time.
To put it quickly and crisply, it is charming, exciting and sad.
Along with Godard's Breathless, François Truffaut's Jules et Jim is probably the essential French New Wave film -- and it's possibly even more essential.
Truffaut's masterpiece is one of the best dissections of that uniquely French concept, menage a trois, with a definitive performance of Jeanne Moreau at the center; his love for the film medium is evident in every frame of this tragic yet giddy romance
The acting by the three stars is superb, though this is ultimately Jeanne Moreau's film.
Truffaut's third film may not look the masterpiece it seemed 40-odd years ago, but it remains one of his most enjoyable movies.
Jules and Jim, in content and approach, set a free wheeling liberty to young filmmakers.
There is new beauty in what Truffaut is trying to show us, an exquisiteness that..forever alter[ed] the face of cinema.
It's the test of time that most matters, and here Jules and Jim passes with flying colors, remaining as audacious and enthralling today as it was upon first release.
complicates any easy sense of what true freedom really entails
I liked this movie, and I enjoyed watching it, but I was left expecting more. As part of the French New Wave, I knew to expect this film to be overflowing with style and technique, but I also expected it to be fun. Maybe I shouldn't have been so insistant on that last part. This film is fun, at times, but it gets
July 21, 2011Super Reviewer
Frenetic, fresh, and still fun to watch even as it approaches it's fiftieth birthday. While certainly the most stylish of the New Wave films that I have seen so far, the frequent use of freeze frames, jump cuts, and panning shots, surprisingly isn't distracting. In fact, Trauffaut's use of these devices is very
April 19, 2011Super Reviewer
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