Average Rating: 8.5/10
Reviews Counted: 32
Fresh: 31 | Rotten: 1
No consensus yet.
Average Rating: 8.2/10
Critic Reviews: 5
Fresh: 5 | Rotten: 0
No consensus yet.
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Average Rating: 4/5
User Ratings: 19,238
The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and
Jan 1, 1956 Wide
Aug 15, 2001
United Artists
All Critics (33) | Top Critics (6) | Fresh (34) | Rotten (1) | DVD (12)
At 27 Writer-Director Stanley Kubrick, in his third full-length picture, has shown more audacity with dialogue and camera than Hollywood has seen since the obstreperous Orson Welles went riding out of town on an exhibitors' poll.
Top Critic[The film] at first tends to be somewhat confusing, soon settles into a tense and suspenseful vein which carries through to an unexpected and ironic windup.
Arguably Stanley Kubrick's most perfectly conceived and executed film.
An engrossing little adventure.
A brisk, satisfying film noir that features all the details of a racetrack heist gone wrong - even if the timeline is all shuffled out of order. It's thick with atmosphere and razor-sharp dialogue.
The Criterion Collection fulfills a long rumored released with the essential Blu-ray of Stanley Kubrick's The Killing, one of the great devil's of 1950's American cinema.
Despite this only being his third feature and his first with a significant budget, Kubrick displays many of the thematic preoccupations and visual traits that would come to define his unique, cinematic voice.
A tight heist thriller from master director Stanley Kubrick.
May be the greatest of American heist films because it bursts the genre to the point of existentialism.
1956 and it's already Kubrick, being Kubrick.
Kubrick made grander and greater films, but this is among his most dramatic.
Even though he was just staring out, Kubrick instantly mastered the crime genre. A stunning film.
Stanley Kubrick's masterful manipulation of chronology brings an excruciating sense of doom to The Killing, a classical noir about a carefully threaded heist unraveled by the scheming of a fiendish femme.
Characteristically Kubrick in both its mechanistic coldness and its vision of human endeavour undone by greed and deceit, this noir-ish heist movie is nevertheless far more satisfying than most of his later work.
Stanley Kubrick's third film established him as a full-fledged filmmaker and a potential master.
Kubrick's breakthrough film is one of his very best, a classic film noir that has influenced many directors (including Tarantino) in narrative structure, visual style, and tone.
Johnny Clay: You'd be killing a horse - that's not first degree murder, in fact it's not murder at all, in fact I don't know what it is. "In All It's Fury and Violence"Kubrick's third feature length film, The Killing, is really what jump started his career. Before it he had made Fear and Desire, which he hated, and
January 14, 2012
Super Reviewer
Director Stanley Kubrick in his earliest days as a filmmaker, delivers an engrossing film noir tale of the "robbery gone wrong," featuring razor sharp dialogue, Kubrick's classic directing trademarks and a strong lead performance by Sterling Hayden. Most likely one of my top 25 favorite movies of all-time!
January 11, 2012Super Reviewer
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