A career highlight for Preston Sturges, The Lady Eve benefits from Barbara Stanwyck and Henry Fonda's sparkling chemistry, and from a script that has inspired countless battle-of-the-sexes comedies.
A career highlight for Preston Sturges, The Lady Eve benefits from Barbara Stanwyck and Henry Fonda's sparkling chemistry, and from a script that has inspired countless battle-of-the-sexes comedies.
(Preston Sturges) wrote and directed this classic romantic comedy starring Henry Fonda and Barbara Stanwyck, who are involved in a scintillating battle of the sexes, as Sturges points up the terrors of sexual passion and the unattainability of the romantic ideal. Henry Fonda plays Charles Pike, the heir to the Pike Ale fortune ("The Ale That Won for Yale"). An ophiologist (a snake expert), he just spent a year "up the Amazon" looking for rare snakes with his cynical and protective guardian/valet
Muggsy (William Demarest). He arrives to board the S.S. Southern Queen bound for New York, and immediately becomes the main order of business for a collection of single women looking to nab the eligible bachelor. Amongst those watching Charles board are a trio of con men and cardsharps -- Colonel Handsome Harry Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and the Colonel's daughter Jean (Barbara Stanwyck). All three see Charles as a pushover and at dinner, while all the women are ogling Charles, Jean wins the day by sticking out her foot and tripping him. Complaining to Charles that he should watch where he is going, she gets him to escort her to her cabin so that she can replace her broken heel. Charles is sexually attracted to Jean, but when Charles is about to make a pass at her, she pulls back, telling him, "You ought to be put in a cage." Back in the dining room, Charles is introduced to the Colonel and the three play cards, Charles winning $500 from the Colonel and $100 from Jean. But Charles is merely being set-up for the next game when the Colonel will come in for the kill. Back at Jean's cabin, Charles and Jean sit close and something happens she hadn't planned -- she becomes attracted to Charles too. The next morning, Muggsy warns Charles that the Colonel and Jean are cardsharks, but Charles won't hear of it. Meanwhile, the Colonel is looking forward to fleecing Charles, but Jean doesn't want any part of it. Jean participates in the card game between Charles and the Colonel, making sure than the Colonel doesn't cheat. But while Jean waits on deck for Charles after the game, the Colonel plays Charles a game of double-or-nothing, with Charles losing $32,000. Jean, angry with her father, makes the Colonel tears up Charles' check. The next morning, Muggsy proves to Charles the three are con artists. Devastated, Charles shows Jean the photograph, claiming he knew she was a criminal the morning after he met her. Jean is determined to get even with Charles ("I hate that mug!"). Docking in New York, the Colonel reveals he merely palmed the $32,000 check. But that's not enough revenge for Jean. Impersonating an aristocratic English woman, Lady Eve Sidwich, Jean has herself introduced to Charles. Planning to make Charles to fall in love with her again, she intends to break his heart like he broke her own. As she explains, "I've got some unfinished business with him -- I need him like the axe needs the turkey." ~ Paul Brenner, Rovi
Third writer-director effort of Preston Sturges [from a story by Monckton Hoffe] is laugh entertainment of top proportions with its combo of slick situations, spontaneous dialog and a few slapstick falls tossed in for good measure.
Preston Sturges extended his range beyond the crazy farces that had made his reputation with this romantic 1941 comedy, and his hand proved just as sure.
Now there's no question about it: Preston Sturges is definitely and distinctly the most refreshing new force to hit the American motion pictures in the past five years.
A movie like The Lady Eve is so hard to make that you can't make it at all unless you find a way to make it seem effortless. Preston Sturges does a kind of breathless balancing act here, involving romance, deception and physical comedy.
Preston Sturges' most brilliant film deftly combines deftly witty dialogue and slapstick comedy, splendidly acted not only by Stanwyck and Fonda but by every single member of the ensemble.
Hah! Delightful!! I'm not sure who was the bigger scene stealer, Barbra Stanwyck or Henry Fonda, I loved them both. Fonda was sweet and naive while Stanwyck was closer to her Ball of Fire role, witty and fiery and perfect! The story lagged a bit here and there, but the humor kept me going.
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