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Let the Right One In (2008)
Tomatometer
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Reviews Counted: 144
Fresh: 141
Rotten:3
Average Rating: 8.2/10
Consensus: Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling.
Rated: R [See Full Rating] for some bloody violence including disturbing images, brief nudity and language.
Runtime: 1 hr 54 mins
Genre: Foreign Films
Theatrical Release:Oct 24, 2008 Limited
Box Office: $1,882,159
Synopsis: A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant)... A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre. [More]
Starring: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl
Starring: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl, Karin Bergquist, Peter Carlberg, Ika Nord, Karl-Robert Lindgren, Anders T Peedu, Pale Olofsson
Director: Tomas Alfredson
Director: Tomas Alfredson
Screenwriter: John Ajvide Lindqvist
Producer: John Nordling, Carl Molinder
Composer: Johan Soderqvist
Studio: Magnolia Pictures
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Reviews for Let the Right One In
Anyone who's ever felt marginalised will find their heart captured by this subtle, touching, highly original take on vampire mythology.
The body count piles up, but it's the way a boy named Oskar is treated that may get your blood boiling.
Excellent storytelling and a handful of very good shots add up to one of the year's best
As layered as its title (lifted from the Morrissey song, Let The Right One Slip In), this is the most original vampire movie since Guillermo del Toro’s Cronos, and is likely to hit every top ten films list of the year.
A true original: love story, horror film and social drama. At once brilliant in its parts, and more than the sum of them.
The film is a fresh and memorable mix of grimy realism and gothic fantasy.
Let the Right One In has invention and stamina, a rich arterial flow of fear.
It’s everything Twilight wanted to be but wasn’t: beautiful to gaze at, achingly romantic, emotionally involving, unexpectedly terrifying.
The fact that it doesn't feel like a vampire flick at all makes it one of the best of its kind.
Kåre Hedebrant as Oskar and Lina Leandersson as Eli both give incredibly sensitive performances.
Let the Right One In manages its own sense of doubleness with uncommon daring: you don't see many love stories that bring together pubescence and vampirism in such an elegant clinch.
Beautifully crafted and expertly acted, Let The Right One In eschews the easy options of excessive gore and cheap laughs to create a haunting, emotionally involving journey into the macabre. It can only become a classic of the genre.
Powerful performances from the kids at the centre of it all help add to a superb film.
At once a devastating, curiously uplifting inhuman drama and a superbly crafted genre exercise, Let The Right One In can stand toe-to-toe with Spirit Of The Beehive, Pan's Labyrinth or Orphee. See it.
This bruised and brilliant fairy tale is one of the year’s true originals.
Let the Right One In, a deliciously macabre story of a tentative romance between a bullied 12-year-old boy and the strange girl who moves in next door, is pure magic.
Let The Right One In is one of the most layered, atmospheric and textured movies of the year.
Latest News for Let the Right One In
June 30, 2009:
Matt Reeves Talks Let the Right One In Remake ![]()
Skeptical about the pending American remake of "Let the Right One In"? Director Matt Reeves wants you to know he's tackling the story for all the right reasons. More...
June 28, 2009:
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The Edinburgh Film Festival has come to a close and Rotten Tomatoes thought we'd make a traditional look back over all of the films playing at this year's fest and present to... More...
June 28, 2009:
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Humpday, directed by Lynn Shelton, has become the second ever winner of the Rotten Tomatoes Critical Consensus Award, it was announced today at an awards ceremony in Edinburgh.... More...
June 17, 2009:
Edinburgh 2009: The Tomato Report – Mendes takes Away We Go International
Another year, another Edinburgh Film Festival, and Rotten Tomatoes is firmly set up in the Scottish city for another fine celebration of film. Once again we're partnering with... More...
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