Confusion and wrong assumptions are the cause of tragedy in this stylish gangster noir by director Jean-Pierre Melville. Maurice (Serge Reggiani) and Silien (Jean-Paul Belmondo) are friends going way back, and both have had a shady past. Silien wants to leave his illegal activities behind him -- but would he actually be in league with the police, as an informer? That is what Maurice suspects after he kills a fence who is responsible for the murder of one of his friends and then takes some jewels
as an extra bonus. Doubts assail Maurice as well as others until it is finally decided that something has to be done about Silien. ~ Eleanor Mannikka, Rovi
Le Doulos roots itself in traditional noir themes of providence, of loyalty and betrayal, of male codes of honor, and ultimately of man's inability to escape his lot in life.
The movie is a tough, stylish, deliciously complex labyrinth of underworld double-crosses that, like most of the other Melville noirs, ultimately celebrates honor among thieves.
Melville is a mythmaker. His characters are archetypes of the cinema, specifically American cinema, though his outlook is unmistakably French, tinged with romanticism.
Terrific 'stylized' French noir! (Does anyone else think that Serge Reggiani looks like Mr. Bean?)
March 18, 2009
Randy Tippy
Super Reviewer
easily one of the most gripping and fulfilling films i have ever seen. the film has enough twists to fill a lifetime, shifting the direction of the characters so often to keep one glued to the story but no too often so as to confuse. a perfect blend of mystery and suspense with noir like lighting and style. one of
the best crime dramas ever produced.
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