Though shot straightforward, it all looks so nightmarish, alien and surreal.
Lessons of Darkness/Fata Morgana (1971)
Tomatometer
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Reviews Counted: 8
Fresh: 8
Rotten:0
Average Rating: 8.1/10
Runtime: 54 mins
Genre: Foreign Films
Synopsis: A collection of two documentaries by Werner Herzog, FATA MORGANA (1971) and LESSONS OF DARKNESS (1992), this program illustrates Herzog's sustained vision, one where nature and man are continually... A collection of two documentaries by Werner Herzog, FATA MORGANA (1971) and LESSONS OF DARKNESS (1992), this program illustrates Herzog's sustained vision, one where nature and man are continually at war with one another. Made more than 20 years apart, these two films are remarkably similar. FATA MORGANA, shot in the Sahara desert, is a mostly silent film, accompanied only by the reading of the Popul Vuh, a Mayan creation myth, and the songs of Leonard Cohen. Poetic, beautiful, and often humorous, Herzog's images twist and turn in the mind, forcing the viewer to step outside themselves and look at the world as a combination and clash between the natural and the man made. LESSONS OF DARKNESS is ostensibly a documentation of Kuwait in the aftermath of the Gulf War, when oil fires were burning up the land and transforming the formerly beautiful countryside into a surreal new landscape. Mostly silent and accompanied by classical music, in a few segments local Kuwaitis bemoan the destructiveness of the fires and the war. Herzog, however, shoots the changed landscape in a way that makes it at once terrifying and beautiful. [More]
Director: Werner Herzog
Director: Werner Herzog
Composer: Leonard Cohen
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Reviews for Lessons of Darkness/Fata Morgana
One of Herzog's earliest - and most evocative - cinematic essays on the uneasy relationships between man and Earth, unaffected reality and orchestrated drama.
Herzog is a fearless, meticulous director who approaches his subject in a timeless manner, turning this disaster into a great theme, a story for all time.
Lays the groundwork for Herzog's masterpiece Aguirre: The Wrath of God.
Exotic animals, gutted structures, rusting vehicles, orientalist tourists - each a fragment of a hazy and disassembled culture mapped onto a desert wasteland
One of the few films that truly deserves to be labeled with the adjective astonishing.
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