Max Ophüls' 1955 masterpiece gets a superb restoration.
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10/10/08
Lola Montes (1955)
79 %
Tomatometer
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Reviews Counted: 19
Fresh: 15
Rotten:4
Average Rating: 7.5/10
Runtime: 1 hr 50 mins
Genre: Foreign Films
Theatrical Release: Oct 10, 2008 Limited
Synopsis: LOLA MONTES, the last film by Max Ophüls, is one of the most celebrated examples of both wide screen CinemaScope and lush Technicolor in film history. Added to this is Ophüls' usual use of sweeping crane shots and angled tracking shots,... [More]
Starring: Martine Carol, Peter Ustinov, Anton Walbrook, Oskar Werner
Director: Max Ophuls
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Reviews for Lola Montes
1 - 19 (sorted by date)
Top Critic
In some odd way, the huge production scale and marvelous widescreen color scheme make Lola Montès seem more distant and artificial than Ophüls’ smaller-scale black-and-white films.
10/10/08
Top Critic Some fetching period observation appears from time to time, but life is rarely breathed into this frilly opus.
10/08/08
Top Critic A baroque masterpiece by Max Ophuls, his last film (1955) and his only work in color and wide-screen.
10/08/08
Top Critic Lola Montès could never be confused for realism in any format: home video, theater or iPod. But its effectiveness as a tragedy relies on Ophüls setting out a luxurious spread for his hapless heroine.
10/08/08
I recommend Lola Montès wholeheartedly both for its sensuous delights and its ever exquisite artistry.
10/08/08
Top Critic Ophüls' style co-stars, paralleling and reinforcing stage artificiality with tracking and crane and pan shots, fluidly tilting to emphasize romance as opposed to "reality."
09/22/08
A bodice-ripper invested with the profundity of a Stendhal novel, Lola Montes is also, even more than La Ronde, Ophüls's definite commentary on movie-watching.
09/20/08
The idea behind this biopic might be brilliant but I didn't see the film's magic onscreen.
07/13/08
Ophüls conjures that space into life -- indeed, makes it the very subject of his film -- by means of the most sumptuous stylistic effects imaginable.
02/09/06
It is all of a piece from beginning to end: The mood, the music, the remarkably fluid camera movement, the sets, the costumes.
10/23/04
Top Critic
Much truncated on the first release, and financially ruining its producers, this is a superb film, inspiring Kubrick among others.
05/24/03
Ophüls makes the story of Lola Montes (Martine Carol), the successful nineteenth-century courtesan (if only so-so Spanish fandango dancer), into a visually dazzling, ironic commentary on celebrity.
05/20/03
Top Critic Andrew Sarris in 1963 dubbed this film the greatest ever made, and although he's noted for his quirky opinions, he's no fool.
01/01/00
The clunky Cinemascope camera does not allow Ophuls to move as often or as delicately as he was used to.
01/01/00
1 - 19 (sorted by date)
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