Lost Highway (1997)
Average Rating: 6.2/10
Reviews Counted: 42
Fresh: 25 | Rotten: 17
No consensus yet.
Average Rating: 6/10
Critic Reviews: 7
Fresh: 3 | Rotten: 4
No consensus yet.
Average Rating: 3.8/5
User Ratings: 56,166
Five years after the critical and commercial disappointment of Twin Peaks: Fire Walk With Me, director David Lynch returned to the big screen with this cryptic thriller about confused identities and erotic obsession. Fred (Bill Pullman) is an avant-garde jazz saxophonist who shares a luxurious but fashionably barren house with his wife Renee (Patricia Arquette). Fred suspects that Renee may be unfaithful to him, but realizes he has bigger things to worry about when a series of videotapes appear
Feb 21, 1997 Wide
Mar 25, 2008
Alice Wakefield, Ren...
Mr. Eddy/Dick Lauren...
Natasha Gregson Wagn...
Guard Johnny Mack
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Here, the road leads nowhere in particular; what you pay for is the ride.
What Lost Highway lacks in originality--compared to the rest of Lynch's oeuvre--it regains when compared to anyone else's films.
Its demented darkness actually coallesces into a strange kind of giddy joy - not unlike the rush of adrenaline one feels after a brush with danger.
It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men.
The film begins promisingly, when a young couple gets paranoid over intrusion into their home, before turning into a bizarre yarn that many viewers will find confusing; even so Lynch's direction is mesmerizing from start to finish.
It's one of the downright spookiest films I've ever seen, and it gives me chills just to recall it.
With the hindsight of Mulholland Dr, the film is a lot more intelligible, with plenty of Lynchian themes in full blossom and a handful of excellent performances.
Ambicioso do ponto de vista narrativo e fotografado de forma sombriamente evocativa, o filme merece créditos por acreditar na inteligência do espectador, mas acaba parecendo um exercício para o superior Cidade dos Sonhos.
Director David Lynch, the master of creepiness, is back with a femme fatale film that's sinister, disquieting and deliberately obscure.
Too weird, even for David Lynch
Continues David Lynch's efforts to make us connoisseurs of mystery rather than robots of reason.
The Man With No Eyebrows will go down in my books as the single greatest fictitious creation of all time.
Lynch's bizarre, dream-like approach is as fascinating as ever... and every bit as frustrating as well.
Audience Reviews for Lost Highway
- Ed: Do you own a video camera?
- Renee Madison: No. Fred hates them.
- Fred Madison: I like to remember things my own way.
- Ed: What do you mean by that?
- Fred Madison: How I remembered them. Not necessarily the way they happened.
- Fred Madison: Dick Laurent is dead.
- Mystery Man: We've met before, haven't we.
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