Average Rating: 4.7/10
Reviews Counted: 68
Fresh: 24 | Rotten: 44
The storyline is overwrought and awkward, and the audience is distanced from the flatly drawn characters.
Average Rating: 4.3/10
Critic Reviews: 23
Fresh: 6 | Rotten: 17
The storyline is overwrought and awkward, and the audience is distanced from the flatly drawn characters.
liked it
Average Rating: 3.4/5
User Ratings: 24,807
In this historical drama with music, a gifted singer (Oleg Yankovsky) from a Jewish village in Russia travels to the United States in 1927, leaving behind his young daughter Fegele (Claudia Lander-Duke). Father has promised his family that he'll send for Fegele as soon as he can, but authorities make life hard for the Jewish population, and Fegele is forced to flee with relatives to England. Fegele is adopted by a British family, which renames her Suzie and raises her with little acknowledgement
Sep 22, 2000 Wide
Oct 3, 2006
Universal Focus
All Critics (82) | Top Critics (27) | Fresh (24) | Rotten (44) | DVD (7)
I prefer to think of this movie as The Critic Who Cried.
Potter eschews drama for posing, politics for postulating, and provides enough symbolic broad strokes to gag a magic realist.
It's as though we're being dared not to take the movie seriously, although nothing but the pre-Holocaust setting compels you to do so.
So campy and overripe that it verges on parody.
There's only one performer in the movie who looks completely at ease with what he's doing: the horse.
If [Potter] personally, in her 40s, can go to Argentina and become a tango dancer, then we can't complain about anything that happens to Suzie. Not that we'd want to.
The film brings grace and balance to the traditional Holocaust story.
The Man Who Cried hits all the wrong notes right from the get-go and never relents.
Potter, unlike most, doesn't batter you with what she wants you to feel. As the lyrics of a song, this film is poetry. I suspect it will linger with me long after its details would normally fade. Beautiful.
"The Man Who Cried" should be approached as a classic silent film where the movement and emotion tell the story, with dialogue being used sparingly.
A grand looking film always giving one hope it will come up with something sweeping to say...
While no one will mistake [it] for a masterpiece, it possesses an oddball charm that makes it almost a guilty pleasure to enjoy.
This is a fairly basic Nazis = bad film. There's not much in the way of political acumen, and the characters and their storylines never escape from basic types. The acting is good until the characters begin the worst lip synching in film history. Potter's dialogue is fairly stilted, but the art direction and
September 6, 2010
Super Reviewer
Really good movie. Depp and Ricci have a really intsense love scene. Depp tends to look at her longingly for a good 2/3s of the film. But I'll forgive..he's lovely. And Blanchett does a really flighty portrayal of a early 20th century gold-digger. All in all..great story of perserverance with a stellar cast..but
October 15, 2007Super Reviewer
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