McCabe & Mrs. Miller (1971)
Genre: Westerns
Starring: Warren Beatty, Julie Christie, Rene Auberjonois, Keith Carradine, John Schuck
Screenwriter: Robert Altman, Brian McKay
Producer: David Foster, Mitchell Brower
DVD Info
Release:
Jun 4, 2002
DVD Features:
- Region 1
- Snap Case
- Anamorphic Widescreen - 2.35
- Single Side - Dual Layer
Audio:
- Mono - English, French
- Subtitles - English, French, Spanish, Portuguese, Japanese - Optional
Additional Release Material:
- Audio Commentary - 1. Robert Altman - Director, David Foster - Producer
- Featurettes - 1. Behind the Scenes Documentary
- Trailers - 1. Original Theatrical Trailer
Text/Galleries:
- Film Highlights - 1. Cast
Buy It On DVD
Reviews
A period story about a small northwest mountain village where stars Warren Beatty and Julie Christie run the bordello, the production suffers from overlength; also a serious effort at moody photography which backfires into pretentiousness.
Still Robert Altman's best moment, this 1971 antiwestern murmurs softly of love, death, and capitalism.
Altman's capacity for fashioning an oddball romance without defeating the tough political implications of the story make this one of the greatest of all westerns and a key work in American cinema.
If anything, Robert Altman's self-styled "anti-western" looks even richer, stranger and more daring than it did when it first appeared back in 1971.
A poetic, slow-burning tale of America’s pioneering past, it’s an off-beat western and one of Altman’s finest films.
Cast and director come together a treat in a fascinating attempt to revise the western that satisfies visually, emotionally and intellectually.
They say that great actors are never knowingly caught acting; Altman's best movies are similarly effortless - experiences to be lived in, rather than simply watched.
Diferente em ambientação, tom, textura e ritmo, é um western que só Altman poderia realizar, concentrando-se na humanidade de seus personagens e suas ambigüidades de maneira tocante, profunda e poética sem jamais nos deixar perder o interesse.
A pioneering film, in both senses of the word, and one of the key works in the American cinema of the 1970s.
Altman's brilliant deconstruction of the Western is a classic, one of his most assured works.
Altman and cinematographer Vilmos Zsigmond present the film in grainy browns, as if the film were painted on a fence, and the endless white snow has never felt more textile, or more appropriate.
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