Average Rating: 5.4/10
Reviews Counted: 29
Fresh: 11 | Rotten: 18
Milarepa's confusing plot structure, simplistic message, and poor production values cause it to fall flat.
Average Rating: 5.5/10
Critic Reviews: 6
Fresh: 2 | Rotten: 4
Milarepa's confusing plot structure, simplistic message, and poor production values cause it to fall flat.
liked it
Average Rating: 3.5/5
User Ratings: 534
Bhutanese director Neten Chokling's fantasy Milarepa mounts and cinematizes an ancient Buddhist legend -- a moral fable from the eponymous monk's colorful early life. The story unfolds in the 11th century, when Milarepa (Jamyang Lodro) -- christened Thopaga -- unexpectedly loses his father, and finds his life plunged into a bleak hell. His vile aunt and uncle, Peydon and Gyalsten (played by Lhakpa Tsamchoe and Gonpo, respectively), seize control of the deceased's inheritance and force Thopaga,
PG, 1 hr. 34 min.
Drama, Action & Adventure, Art House & International, Science Fiction & Fantasy
Sep 7, 2007 Wide
Nov 4, 2008
Luminous Velocity
All Critics (32) | Top Critics (8) | Fresh (11) | Rotten (18)
Milarepa: Magician, Murderer, Saint, a picturesque fable filmed in the mountains of northern India, shows us how most -- if not all -- roads to spiritual enlightenment are paved with suffering.
Despite timely and worthwhile subject matter, there is nothing very inspired or inspiring in what makes it to the screen.
While the drama is rather poky, Jamyang Lordo plays the part with dignified restraint.
The movie's spectacular scenery and compelling message counterbalance the somewhat plodding pace and wooden performances by a cast of nonactors.
Milarepa fails to infuse freshness into the timeworn lesson that violence doesn't pay; perhaps its subject's path to goodness will provide a more enlightening cinematic outlet.
Those expecting a reflective Buddhist piece will be surprised. First-time director Neten Chokling's film actually is a powerful revenge drama. Despite the film's low budget, there's also spectacle, courtesy of the Himalayan locations.
One tonic for a stressful day: Spend 90 minutes with an 11th-century Tibetan mystic who wanders through gorgeous Himalayan scenery
Earnestly capturing in spirit the emergence of a holy man.
By-the-book mythmaking: stately, straightforward and not too interesting. The story . . . falls flat on film, a moody, visual medium, tremendously difficult to rework into a mirror for introspective, spiritual transformation.
instructional value and exposure to Tibetan culture and values make this a worthwhile venture
Viewers with a pre-established interest in 11th-century Tibetan history should find Milarepa fascinating, but those without won't find much to engage them in this nicely shot but stilted biopic of a legendary magician-turned-monk from that era.
Milarepa is a sort of Batman Begins version of the early life of renowned Tibetan saint Jetsun Milarepa (1052-1135).
The first of a two-part film about the life of an 11th-century Tibetan mystic, Milarepa evokes a time when sorcery was a poor man's way of making war, and the sight of yogis flying through the sky was commonplace.
Buddhism teaches that suffering is inseparable from existence. Suffering is certainly inseparable from the experience of watching Milarepa.
For enlightenment on Milarepa's life, we apparently have to wait for the sequel.
Milarepa is surprisingly flat and unexciting.
First-time filmmaker Neten Chokling, himself a great Tibetan meditation master, has made a remarkable film using nonprofessional actors and a mostly nonprofessional crew.
When we saw this, I had not heard of Milarepa or read any of his teachings, so it's hard to say if I'm missing the point here, or if the film isn't delivering something. It's a fun movie. It came across like a Tibetan version of Harry Potter - boy with really mean Uncle goes to secret magic school and becomes a
December 22, 2010
My guess is most people won't "get" this film. Its only the first part of three important phases of the life of Milarepa and does little to let viewers know this... soo it leaves viewers in an odd break... Like ending the Titanic as the boat leaves port on its maiden voyage. His discovery of the teachings of the
March 8, 2010
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