Everything about Le Souffle au Coeur felt familiar to me. Louis Malle managed to make a film that plays like a memory, like something you would remember from more than thirty years ago.Late 1950s. Laurent belongs to a bourgeois family in Dijon. His mother is an Italian refugee, a sort of Sophia Loren, dazzling and
free-spirited in love and motherhood. His father is a stern man, profession: gynecologist. Laurent loves jazz, particularly Charlie Parker, and literature, especially Albert Camus. His two older brothers are reckless, constantly annoying him -although within a certain complicity-. They introduce him to household mischief, tobacco, and girls, express radical political opinions at the dinner table, and seize every opportunity to get drunk.One day, Laurent falls sick with a "murmur in the heart" and has to go off to get a 'cure' in the country. There he must confront many issues that he can no longer ignore with the excuse of 'childhood', including sex, jealousy, and his atypical relationship with his own mother.All of the performances are incredibly natural and accessible, and although some characters can be very annoying their credibility makes them wonderful. This is all thanks to the fine script, based loosely on some of Malle's personal experiences, like Au Revoir les Enfants. The film is written so consistently that even the most scandalous of conclusions happens in an unaggressive way, as though all along we'd been taught to comprehend. In the end I felt as if I had lived through the events myself and, in spite of its 2 hour run I never lost interest.The art direction, music and cinematography envelop Le Souffle au Coeur in beautiful details and a golden light; there's always soaring jazz music, and no matter what is happening on the screen, there's a warmth and beauty and tenderness to it. And indeed the film takes on many uncomfortable subjects with great honesty; some of the content is actually very shocking and certainly taboo, even today. But as I mentioned, everything appears like a memory: something you can't change and can't help but look upon with understanding eyes. Not once is judgement passed or is a point of view betrayed. A real masterpiece of filmmaking, the perfect marriage of literary and visual narrative.
November 25, 2010
