[A] flaky disaster.
My Blueberry Nights (2008)
Tomatometer
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Reviews Counted:28
Fresh:8
Rotten:20
Average Rating:4.9/10
Consensus: Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.
Theatrical Release:Apr 4, 2008 Limited
Box Office: $724,907
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai, Lawrence Block
Story: Wong Kar-Wai
Producer: Wong Kar-Wai, Jacky Pang Yee Wah
Composer: Ry Cooder
Studio: Weinstein Company
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Reviews for My Blueberry Nights
Fans of Chinese director Wong Kar Wai's dreamy, romantic films will find My Blueberry Nights a luscious treat, although newcomers to his world of sensuous longing will no doubt wonder what all the fuss is about.
Only in flashes does Wong Kar-Wai let you forget about the relentless, meticulous beauty long enough to lose yourself inside it.
Few directors regularly exploit so well film's capacity for capturing the present and the past in the same instant. Wong is plugged into a special zone that feels that joy of experience and the pain of recollection simultaneously.
For all its implied weightiness and melancholy, My Blueberry Nights is a confection that leaves you feeling empty.
Though it's beautifully shot (and characteristically drenched in red-orange light), the characters gently bump each other away, like slow-rolling billiard balls.
My Blueberry Nights is Wong Kar Wai's first English-language movie. Perhaps not coincidentally, it's also his worst movie.
It's a store-bought bakery-window display cake, infused with flavor essences and color-enhancers. (Is there a cinematic MSG that intensifies the sweetness of eye candy?)
The Hong Kong director's efforts to transplant things to a distinctly American tableau fail. Prettily, but miserably.
A star-driven pseudo-indie affair that will please neither celebrity worshipers nor cineastes.
Mostly, My Blueberry Nights is irritating and plodding, saved only slightly by Law's lively performance.
Jones displays some acting chops, but the character she creates with Wong has all the personality of a museum tour guide.
In My Blueberry Nights, Wong Kar-wai and his cinematographer, Darius Khondji, make America look so pretty that you may have trouble recognizing it.
Alternately precious and vapid, the movie attempts to wrest metaphors from a jar of house keys, and eternal verities from pastry. Slice the pie how you will, it's still half-baked.
The biggest problem is Wong's decision to cast Norah Jones as Elizabeth, a New Yorker who hits the road after a love affair goes bad. Jones, in her first movie, can't act. (There, I said it!)
Setting out a grandly romantic dish, Wong encourages us to indulge. And then he leaves us hungry for something more.
My Blueberry Nights should have played like a memory, but its hard-living, luckless losers are too beautiful to be believed.
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