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Movies / On DVD / My Kid Could Paint That
My Kid Could Paint That

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My Kid Could Paint That (2007)

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Reviews Counted:78

Fresh:73

Rotten:5

Average Rating:7.8/10

Consensus: Director Amir Bar-Lev grapples with exposing the authenticity of four-year-old Marla's paintings at the sake of burdening her publicly shamed family to transfixing results.

Rated: PG-13 [See Full Rating] for language.

Runtime: 83 mins

Genre: Musical & Performing Arts

Theatrical Release:2007

Synopsis: In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York.... In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York. Marla was all of four years old when she sold her first abstract painting. When the New York Times published a piece about her prodigious talent, she became an overnight media sensation, and her paintings quickly began to sell for up to five figures. While many lauded her amazing ability--and even likened her to Picasso--her success also sparked heated debates about the true value of abstract art. Bar-Lev begins to explore this idea, as well as our culture's fascination with child prodigies, when the film suddenly takes a sharp and unexpected turn. The impetus is a piece on 60 MINUTES in which Charlie Rose suggests that Marla may not in fact be the sole creator of her work, and that her father--himself an amateur painter--is really the mastermind. The Olmsteads are stunned by the implication, and Marla quickly falls from grace with the art world. What follows is an unsettling but nonetheless riveting examination of Marla's family. Bar-Lev suddenly finds himself in a bit of an ethical conundrum: while he would like to get at the truth for the sake of the film, he is hesitant to cause further trouble for the Olmsteads, who have granted him intimate access to their lives. He ultimately leaves it up to viewers to decide what really happened--though for many, there will likely be little doubt as to the authenticity of Marla's work. As a documentary, the film works beautifully, raising a lot of big questions about truth in art, and even about the exploitive nature of documentary film. All this because of a four-year-old girl and her paint set. [More]

Director: Amir Bar-Lev

Director: Amir Bar-Lev
Producer: Amir Bar-Lev
Composer: Rondo Brothers
Studio: Sony Pictures Classics

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Release:

Mar 4, 2008

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Reviews for My Kid Could Paint That

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1 - 20 (sorted by date)
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Questions of authenticity surrounding four year old Marla Olmstead's paintings occasion filmmaker Amir Bar-Lev's insightful investigation about media frenzy and public perception, and the very nature of nonfigurative art.

Full Review Source: About.com | comment Comment
06/16/09
Jennifer Merin
Jennifer Merin
About.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Alicia Potter
Alicia Potter
Boston Phoenix

One of art's richest rewards is its way of teaching us about our assumptions, doubts, and capacity for faith. ... My Kid Could Paint That gets people thinking and talking.

Full Review Source: Looking Closer | comment Comment
11/26/08
Jeffrey Overstreet
Jeffrey Overstreet
Looking Closer
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
10/18/08
Peter Bradshaw
Peter Bradshaw
Guardian [UK]

Click to read the article

Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Jonathan Kiefer
Jonathan Kiefer
Sacramento News & Review

Marla's story is a sobering illustration of the way children can be exploited by adults who should know better %u2013 journalists, filmmakers and especially their own parents.

Full Review Source: San Francisco Examiner | comment Comment
06/05/08
Rossiter Drake
Rossiter Drake
San Francisco Examiner

Like all good art, this raises difficult questions.

Full Review Source: Eye for Film | comment Comment
05/19/08
Anton Bitel
Anton Bitel
Eye for Film

Mais interessante do que a provável fraude envolvendo a encantadora Marla é a reveladora sombra que o documentário projeta sobre o universo da arte moderna.

comment Comment
03/24/08
Pablo Villaca
Pablo Villaca
Cinema em Cena

...an awfully slight yet basically agreeable documentary...

Full Review Source: Reel Film Reviews | comment Comment
03/13/08
David Nusair
David Nusair
Reel Film Reviews

New York Times senior art critic Michael Kimmelman offers sharp insights when he mentions how Marla's painting reflects not just 'innocence' and what our psyches project into them, but also 'the cynicism of the art world.'

Full Review Source: Film.com | comment Comment
03/11/08
Mark Bourne
Mark Bourne
Film.com
Top Critic Icon Top Critic

The paintings become colourfully self-deluded distortions of a world where adults project themselves back into childhood, capitalizing on both the adult nostalgia for innocence and our fascination with children who seem somehow adult.

Full Review Source: Vue Weekly (Edmonton, Canada) | comment Comment
03/01/08
Brian Gibson
Brian Gibson
Vue Weekly (Edmonton, Canada)

A fascinating exploration of art, creativity, and family dynamics that takes an unexpected right hook.

Full Review Source: I.E. Weekly | comment Comment
02/22/08
Amy Nicholson
Amy Nicholson
I.E. Weekly

Documentary filmmaker Amir Bar-Lev's "My Kid Could Paint That" is an impressive feat in that it revels in its own ambiguity while still giving us a very entertaining, ripped-from-the-headlines mystery story.

Full Review Source: Capital Times (Madison, WI) | comment Comment
12/21/07
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

A compelling documentary that leaves you wondering if there is nothing sacred in this stinking world.

Full Review Source: BBC | comment Comment
12/18/07
Neil Smith
Neil Smith
BBC

... starts out as a meditation on the nature of art and the machinations of the marketplace ... curdles into an inconclusive and trivializing whodunit.

Full Review Source: Arkansas Democrat-Gazette | comment Comment
12/14/07
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

A highly engaging documentary that recounts a remarkable tale.

Full Review Source: Empire Magazine | comment Comment
12/14/07
Will Lawrence
Will Lawrence
Empire Magazine

Hugely entertaining documentary that raises interesting questions about media exploitation, the value of art and even the subjective nature of truth within the documentary format.

Full Review Source: ViewLondon | comment Comment
12/13/07
Matthew Turner
Matthew Turner
ViewLondon

Raises compelling questions about artistic 'authenticity,' the 'meaning' of modern art, the voracious and double-edged demands of the news media, the exploitation of children and the nature of faith itself.

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
12/07/07
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)

Bar-Lev handles [the portrayal of the Marla hype machine] sensitively and with a minimum of contrivances. He examines his role, but avoids excessive self-reference.

Full Review Source: Las Vegas CityLife | comment Comment
12/01/07
Matt Kelemen
Matt Kelemen
Las Vegas CityLife

The journey becomes as frustrating as it is engrossing for director Bar-Lev and even more so for the audience.

Full Review Source: Baltimore Sun | comment Comment
11/30/07
Michael Sragow
Michael Sragow
Baltimore Sun
 
 
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