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The Namesake (2007)
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Reviews Counted: 120
Fresh: 102
Rotten:18
Average Rating: 7.4/10
Consensus: An ambitious exploration of the immigrant experience with a talented cast that serves the material well.
Rated: PG-13 [See Full Rating] for sexuality/nudity, a scene of drug use, some disturbing images and brief language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Mar 9, 2007 Limited
Box Office: $13,494,515
Synopsis: Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the... Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child's sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol's desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret. Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair's skill at directing can be felt in the film's many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date. [More]
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson, Tabu, Sahira Nair
Director: Mira Nair
Director: Mira Nair
Screenwriter: Sooni Taraporevala
Producer: Lydia Dean Pilcher, Mira Nair
Studio: Fox Searchlight Pictures
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Reviews for The Namesake
Buoyed by terrific performances from Irrfan Kahn and the tremendous Tabu, the film is a bit homogenized but does a good job of exploring the dynamics of blending foreign cultures with American ways of life.
This movie is not bad, I just couldn't connect with it. The Namesake is poignant (I cried once) and spans many years with grace and great acting, but it may be beyond my ken to truly appreciate as it deserves.
What holds it together are the subtle loving performances by Tabu and Khan, both Bollywoood stars. They never overplay, never spell out what can be said in a glance or a shrug, communicate great passion very quietly.
Mira Nair's film is called The Namesake which immediately focuses our attention toward the value of names and naming (and that theme is explored occasionally within the film), but to slip even further down the rabbit hole, the more intriguing area of disc
Kal Penn, who got kooky for 'Harold and Kumer Go To White Castle,' shows his impressive serious side here as Gogol Ganguli, a guy who suspects that his given name may be a fatal turnoff with females.
A magnificent meditation on what it might mean for many immigrants to be American in the 21st Century.
The all too familiar tale of the upwardly mobile immigrants conflicted between tradition and modernity is played out for all it is worth.
This is a film made with obvious care and affection, both for the specifics of the story and the broader society it depicts.
Una película fresca, reveladora, emotiva, graciosa, encantadora, que se disfruta como un viaje o como un viejo libro que nos han dejado guardado para abrir, por primera vez, en el momento justo.
When The Namesake ends, one feels as though one has lived with the characters instead of just watching them.
Nair obviously cares deeply about these people and, through her sensitive storytelling, she persuades the audience to make an emotional investment in them as well.
It is a saga told in small pieces, a patchwork of short scenes that tumble after each other almost apologetically, as if they would love to linger a little longer, but there is too much to tell and only so much time in which to do it.
Nair may have bitten off more than she -- or anyone -- could chew with this sprawling narrative, but she's done as right by it as possible.
Latest News for The Namesake
September 30, 2008:
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November 28, 2007:
East Indian assimilation in U.S. examined in generation-spanning drama. ![]()
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