No One Lives (2013)
Average Rating: 3.8/10
Reviews Counted: 5
Fresh: 2 | Rotten: 3
No consensus yet.
Average Rating: N/A
Critic Reviews: 2
Fresh: 1 | Rotten: 1
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User Ratings: 273
My Rating
Movie Info
A ruthless criminal gang takes a young couple hostage and goes to ground in an abandoned house in the middle of nowhere. When the captive girl is killed, the tables are unexpectedly turned. The gang finds themselves outsmarted by an urbane and seasoned killer determined to ensure that no one lives. (c) Anchor Bay
May 10, 2013 Limited
Anchor Bay Films
- Official Site
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No One Lives Trailer & Photos
All Critics (5) | Top Critics (2) | Fresh (2) | Rotten (3)
Director Ryűhei Kitamura (The Midnight Meat Train) is too talented for material this retro-junky, but he and screenwriter David Cohen keep the action coming hard and fast ...
There's a certain pleasure to be had in such unabashed cinematic ineptitude, of course, though it would be wise to wait until you have your Netflix streaming remote in one hand and a freshly filled bong in the other.
A novel twist, given away early. Otherwise, a generic bloodbath, decently acted but not frightening.
No One Lives is never quite able to recapture the gloriousness of its opening half hour...
'No One Lives' is generic "shock" cinema that was a result of 'Hostel,' which is why it feels like it sets horror back 10 years.
Audience Reviews for No One Lives
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Top Critic
The less I tell you about this film, the better. It starts with a couple in a car, having a series of rather frosty exchanges. The longer you watch, the clearer it becomes that the nature of thier relationship is more complex than meets the eye. Meanwhile, a small-time gang of murdering, burgling lowlives is coming off a botched job. And then they cross paths. And then a female survivor of a college-co-ed-massacre turns up again, and she knows, before anyone else does, who the greater evil is; who to really be afraid of. The Man Death is like a slightly warmer version of Anton Chighur from No Country; a truly fascinating character, but to tell you why would ruin some of the pleasure of this movie. See it. Even if not no other reason than to see Ryuhei Kitamura's ingenious, novel and jaw-dropping gore gags. See it before anyone ruins the big blockbuster effect. My only gripe about this movie is that the dialogue is a little uneven: it's kind of clunky in places, and delightfully apt in others. "You just killed the one person who had a soul."