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The Nomi Song (2005)
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Reviews Counted: 36
Fresh: 34
Rotten:2
Average Rating: 7.2/10
Consensus: A fascinating, if occasionally frustrating, documentary about Klaus Nomi, a cult figure in the New Wave Underground scene during the '80s.
Theatrical Release:Feb 4, 2005 Limited
Synopsis: He came from outer space to save the human race. Looks like an alien, sings like a diva - Klaus Nomi was one of 1980's most profoundly bizarre appearances. He was a cult figure in the New Wave... He came from outer space to save the human race. Looks like an alien, sings like a diva - Klaus Nomi was one of 1980's most profoundly bizarre appearances. He was a cult figure in the New Wave Underground scene who sang pop music like opera and brought opera to club audiences. He was a performer with a "look" so strong, that his first audiences went wild before he even opened his mouth. On the verge of international fame as a singer, he instead became one of the first prominent artists to die of AIDS. But the reaction Klaus Nomi provoked was so strong, that he is still unforgettable, even 20 years after his death. Nomi constructed his own myth out of elements so completely "wrong", yet so deliberate, that it all seemed oddly possible. He was an alien amongst the outcasts, a tortured soul who also radiated optimism at a time when optimism was "officially" out of fashion. He was as much a genuine talent as he was the engine of his own destruction. His appeal is not easy to explain in words. He has to be seen - and heard - to be believed. It is hard to limit this film to being called a documentary. It is rather a non-fiction film, maybe even an oral history. But it's also visual, partly because Nomi himself was so visual, someone who's main concern was putting forth an image of himself in everything he did - literally illustrated by the photos, films, videos and artworks that go with it. What unifies the various stylistic elements is Klaus Nomi himself, not only the all pervasive image he put out, but more importantly, his effect on others. It's a story that grows out of a group of people who influenced him, loved him, felt pity for him or betrayed by him, yet above all, were inspired by him. The Nomi Song is a story of love of music and love of performing at a time when it seemed as though everyone was struck by a sense of urgency to make something - anything - simply because "somewhere in the great cosmic plan we all knew that we only had a finite amount of time together and we had to make the most of it." -- © Palm Pictures [More]
Starring: Ann Magnuson, Gabriele Lafari, David McDermott
Starring: Ann Magnuson, Gabriele Lafari, David McDermott
Director: Andrew Horn
Director: Andrew Horn
Studio: Palm Pictures
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Reviews for The Nomi Song
Un documentaire qui rend justice à un personnage fascinant, mais dont on aurait tout de même voulu en savoir davantage
While he was never a Top 40 hitmaker, Klaus Nomi was an important artist...and The Nomi Song is a cinematic anthem to his unorthodox individuality.
Like Nomi's work, there is some distinct style at play that reflects its subject matter.
A well-made doc of a beyond-description music act that combined cabaret, operatic falsetto, and the stark minimalism of a cheesy 1940 sci-fi pic.
The Nomi Song is pieced together from photos, performance footage, and talking-head interviews, but director Andew Horn has taken great care to fashion a strong story arc.
This is fascinating stuff if you know just the commercial side of that strange music and fashion ripple known as New Wave.
If retro ain’t your thing, fear not; this doesn’t feel dated in the least.
This film expertly captures the scenesters' singular, blinding devotion to art at all costs, as well as their playful and communal attitudes.
Paints a vivid portrait of the sense of play and possibility that animated the best of the punk and new wave movements.
This intriguingly well-made documentary tells us just about everything we could possibly want to know about the mesmerising 1970s singer.
A vivid portrait, not only of the man, but of an era, an era in which creativity ruled in a New York which, for all its vicissitudes, was far more welcoming to artists than it is now.
His career was brief but well-documented and Andrew Horn's loving tribute includes several complete performances.
[S]trange and fascinating ... gives off a rich whiff of the New York punk bohemia of the late 1970s and early '80s.
Amusingly and wistfully records how the artist and his crowd tried to make a success of it beyond the Mudd Club and other downtown haunts.
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