Adapted from author Philippa Gregory's historical novel of the same name, director Justin Chadwick's atmospheric period drama follows the fierce competition between sisters Mary (Scarlett Johansson) and Anne Boleyn (Natalie Portman) to win the affections of Tudor king Henry VIII (Eric Bana). Anne and Mary Boleyn are under pressure from their father and uncle to help maintain the family's rich legacy and ensure their further prosperity by winning the affections of none other than the king of
England (Eric Bana). But life in the royal court is far different than it was in the countryside where these two sisters were raised, and before long their bid to earn the love of the king has transformed two once-happy sisters into bitter rivals. At first, it appears that Mary has triumphed in winning the king's favor by becoming his mistress and bearing him an illegitimate child. Despite her early success, however, Mary has underestimated just how clever and cunning her sibling can truly be. Not only does the relentless Anne manage to edge aside her sister in the eyes of King Henry, but she also succeeds in averting his gaze from his wife, Queen Catherine of Aragon, as well. Mary is driven by genuine affection for King Henry, while her sister Anne has only kept up the charade in a desperate bid to become the queen of England. Now, the growing chasm between two sisters is mirrored on a larger scale as England becomes divided more than ever before. As the consequences of their actions threaten to alter the course of an entire nation, these two sisters will ultimately discover that the only place they will find true strength and loyalty is in family, and that no matter what the consequences they will forever be bound by blood. ~ Jason Buchanan, Rovi
Chadwick and Morgan have cooked up a potboiler, the sort of thing that might have been fun to watch with Bette Davis and Joan Crawford as the Boleyn sisters, while Charles Laughton lasciviously eyed the backs of their necks as Henry.
Columbia has given us a nice 1.85:1 aspect ratio anamorphic widescreen transfer, a 5.1 Dolby digital soundtrack and stacked this DVD with a number of extras
Portman confere peso dramático à Ana Bolena, mas Johansson e Bana parecem seguir no piloto automático. Além disso, as liberdades históricas tomadas pelo roteiro são absurdas demais para poderem ser ignoradas.
The falling blade is the only element not missing the mark in this film. I wanted to call for the beheading after Act One, and spare the audience instead.
The film gets a full 'This is a work of fiction' disclaimer, even noting that any resemblance to any person living or dead is unintentional. That tells you something about how much trust to put in these historical CliffsNotes.
An all in the dysfunctional family royal romp with incestuous tendencies, this richly textured, dramatically disciplined, erotically laced and emotionally taut creation makes for weirdly kinky historical analysis, but pretty steamy pre-tabloid melodrama.
An all in the dysfunctional family royal romp with incestuous tendencies, this richly textured, dramatically disciplined, erotically laced and emotionally taut creation makes for weirdly kinky historical analysis, but pretty steamy pre-tabloid melodrama.
With plenty of betrayal, attempted incest and beheadings crammed into this period episode of The Young and the Restless, The Other Boleyn Sister has appeal in an otherwise stiff genre.
A rather titillating take on a racy historical novel, this is perhaps too ambitious in intent. More time, or more pruning (perhaps they should just have focused on The Boleyn girl), would have produced a richer and more enjoyable film.
I have to say I feared the worst when sitting down to this film, 2 Americans and an Australian playing huge historical English characters sounded like an awful idea. It wasn't so bad though, in fact it was perfectly adequate. Nothing special mind, there was an awful lot of the plot missing, and years skipped by in
seconds but thanks to a capable cast and some nice direction (apart from the handful of 'behind a fence/through a curtain' wobbly camera shots) it was pleasantly not horrible.
Excellent period drama that tells a perfect and dead on story of Anne (Natalie Portman) & Mary Boleyn (Scarlett Johansson) as they both seduce King Henry VIII (Eric Bana) in this dramatic & tragic film masterpiece.
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