Parker (2013)
Average Rating: 4.8/10
Reviews Counted: 97
Fresh: 39 | Rotten: 58
Jason Statham is game as usual, but Parker is a thoroughly generic and convoluted heist movie.
Average Rating: 4.6/10
Critic Reviews: 26
Fresh: 11 | Rotten: 15
Jason Statham is game as usual, but Parker is a thoroughly generic and convoluted heist movie.
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Average Rating: 3.5/5
User Ratings: 20,048
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Movie Info
Set amidst the unparalleled wealth and glamor of Palm Beach, Jason Statham and Jennifer Lopez team up to get their cut in the crime thriller PARKER based on the series of bestselling novels by Donald E. Westlake. The film is directed by Academy Award (R) nominee Taylor Hackford (Ray) and also stars Michael Chiklis, Wendell Pierce (HBO's The Wire) and Academy Award nominee Nick Nolte. (c) Film District
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Cast
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Jason Statham
Parker -
Jennifer Lopez
Leslie Rodgers -
Clifton Collins Jr.
Ross -
Wendell Pierce
Carlson -
Michael Chiklis
Melander -
Nick Nolte
Hurley -
Micah A. Hauptman
Hardwicke -
Patti LuPone
Ascension -
Emma Booth
Claire -
Bobby Cannavale
Jake Fernandez -
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Parker Trailer & Photos
All Critics (97) | Top Critics (26) | Fresh (39) | Rotten (58)
Overall, it gets by, but bets are hedged when single-minded efficiency and ice in the veins would have been enough.
A cool, violent, efficient adaptation of the taciturn anti-hero (the creation of Donald E. Westlake, writing as Richard Stark), who's out to restore order in a bloody world in his own bloody way.
For an old-fashioned crime thriller, you need real pros. Mr. Statham is to acting what Taco Bell is to nutrition.
Poster quote: "Parker," a film that's a little better than you'd expect!
Parker's vengeance isn't thrilling, there's a pointlessly developed non-love triangle, even the glam settings look cheap, and the tough-guy exchanges are inexplicably flat.
Hollywood hasn't butchered Parker-which is to say that it has let him remain a butcher.
Parker is a functional enough actioner but lacks pizzazz.
Hackford brings a sense of style and sure-handedness to the proceedings that is uncommon for films of this genre.
Parker is well executed, ultimately entertaining and totally consumable but hardly groundbreaking as action thrillers go.
Even adding Jennifer Lopez to the mix in time for her to strip and show off her infamous rear doesn't add much in the way of silver screen sizzle.
Statham puts the fun back into discriminate, pornographic violence.
If Statham harbours ambitions of making a career-defining action thriller, Parker has to be seen as another opportunity lost.
...to see [Lopez] wasted here, forced to behave girlishly and neurotically and eventually become a hostage, is insulting.
We like you, Jason. You're perfectly acceptable in near-silent, pseudo-Asian action nonsense. But you, sir, are no Lee Marvin.
Hackford approaches his task as if he's seen one of the duffer Elmore Leonard movie adaptations of recent years, or at least had one described to him.
The film has some bone-crunchingly good action sequences, one decent one-liner and it's all daftly watchable, but one suspects that this is more of a career high point for Statham than for Hackford.
Works well enough to prove [Statham] has more than physically demanding stunts in him.
Far better made than it has any right to be, this cheesy 70s-style thriller is given a thoroughly engaging kick by veteran filmmaker Hackford working outside his usual dramatic genre.
Slick, refined and so polished you can damn near make out your reflection on Statham's forehead.
A mediocre, poorly paced thriller ...
It all just fizzles out.
It's an overlong, arduous caper, drawn from the work of thriller writer Donald E. Westlake much as a patient's tooth might be extracted with much banter and minimal anaesthesia.
Things get off to a flying start, but you just know your luck isn't going to hold.
Hackford does supply some genuinely hard-boiled thrills, including the briskly efficient opening heist and a bruising hotel-room tussle for Parker and a would-be assassin. But when Lopez wiggles and pouts her way into the caper, the film goes soft.
Under Taylor Hackford's efficient direction, Parker delivers on all counts.
There's a black hole of chemistry between Statham and Lopez.
Audience Reviews for Parker
Super Reviewer
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- Leslie Rodgers: It's just bills.
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- Parker: When I say I'll going to do something I always follow through... always.
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- Parker: I don't steal from people who can't afford it, and I don't hurt people that don't deserve it.
Discussion Forum
| Topic | Last Post | Replies |
|---|---|---|
| So Sick of Statham | 29 days ago | 31 |
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Top Critic
So the plots to this adaptation and 'Payback/The Hunter' are virtually the same! 'Parker' is betrayed by a gang, shot and left for dead. He then proceeds to spend the entire film going after those who betrayed him. The problem here is the whole film is spread out with absolutely nothing of interest merely to see 'Parker' get revenge at the end. The film only had to be about 30min long and that would sufficed.
The cast is a terrible mistake, every one. Statham is not the guy you want for a supposedly dark noir crime thriller (according to the original source), his presence merely lowers this films intelligence levels and gives everyone the wrong impression before seeing it. You know most people will be expecting a martial arts filled 'Expendables' type flick.
The bad guys don't seem very bad at all, I mean they are not nice but they're hardly hardened criminals. Chiklis as the leader isn't threatening ever, I dunno why but he just looks like he's gonna burst out into slapstick. Another guy looks like a young Jon Cryer which isn't too good and Clifton Collins Jr. who is normally good for a violent nutter is very quiet.
Then we have the car crash that is Lopez, dear lord how does this woman find work in Hollywood?!. She can't act, she's no good in a thriller like this and constantly ruins scenes, she looks like your typical wrinkled, bony, middle aged rich LA residing female with heaps of makeup and hairspray plastered on and all she does in this film is whine. It amuses me when these mega rich stars portray working class characters that are down on their luck, because they have no idea what its like to be in that situation.
Its all very slick and glitzy with the glamorous Florida locations, fancy cars and huge mansions set against a sunkissed sky, you'd think it was a Bond flick. But none of this really seems to fit together well, it all feels bog standard and tired, amazingly generic, even the films poster is drab and uninspiring.
A very mundane below par action film bottom line, no different from many other Statham efforts that have gone directly to DVD, did not pass go and did not collect $200. The whole thing is so utterly pointless, unoriginal and unexciting because apart from the very start and the very end there is nothing happening. 'Parker' simply wonders around breaking in here and there and stealing cars whilst all the while looking highly obvious while he does it.