Pi (1997)
Runtime: 85 mins
Synopsis: Low-budget film that won Darren Aronofsky "Best Director" at 1998's Sundance Film Festival. Gritty, inventive black-and-white photography drives this story of genius mathematician Max Cohen who is exploring the possible existence of discernible patterns in the stock market. With the... Low-budget film that won Darren Aronofsky "Best Director" at 1998's Sundance Film Festival. Gritty, inventive black-and-white photography drives this story of genius mathematician Max Cohen who is exploring the possible existence of discernible patterns in the stock market. With the aid of Euclid, his home grown supercomputer, Max stumbles upon a bug that crashes his system and spits out a seemingly meaningless number. A knowledgeable friend gives him insight using the ancient game of Go and warns of the spiritual ramifications of powerful numbers. A Hasidic cabalistic sect and representatives from an extremely powerful Wall Street firm then attempt to extract the number from him, by whatever means necessary, for their own ill-gotten gains. [More]
Genre: Science-Fiction/Fantasy
Starring: Sean Gullette, Ben Shenkman, Mark Margolis, Pamela Hart, Lauren Fox
Screenwriter: Darren Aronofsky
Producer: Eric Watson, Scott Vogel
Composer: Clint Mansell
DVD Info
Release:
Jan 12, 1999
DVD Features:
- Region 1
- Letterboxed - 1.66
Audio:
- Dolby Digital 2.0 - English
Additional Release Material:
- Audio Commentary - 1. Darren Aronofsky - Director
- Bonus Footage - 1. Behind-the-Scenes
- 2. Lost Scenes
- Music Video
- Trailer - 1. Original Theatrical
Interactive Features:
- Interactive Menus
- Scene Access
Text/Photo Galleries:
- Production Notes
- Biographies - 1. Cast & Crew
Buy It On DVD
Reviews
It's remarkable to what extent Aronofsky has rendered the cerebral kinetically intense. The film's imaginative, diverse images create a mind's-eye urban claustrophobia.
...a frustrating and maddeningly confounding piece of work...
Director Darren Aronofsky creates an eerie Eraserhead-like world that keeps the film compelling.
An ambitious, stylish and intriguing first effort by Aronofsky and director of photography Matthew Libatique. If you're of a mind for an offbeat but fascinating film, give it a shot.
Pi is an interesting film. Not a particularly good one, but interesting nonetheless.
Embora Aronofsky cometa excessos visuais em alguns momentos (tendência comprovada em seu trabalho seguinte, Réquiem para um Sonho), sua eficiente direção, a ótima edição e o inteligente roteiro transformam Pi em um filme singular.
Shot in blotchy, grimy black-and-white and edited in a style almost reminiscent of the French New Wave, 'Pi' is as jarring to the eye as it is enticing to the mind.
Pi is like a Cronenberg film of the mind, where the unsettling images and lusts are driven by a desire for knowledge, not flesh.
Film fans who long for intellectual muscle have reason to hail Mr. Aronofsky for plunging into the mysteries of knowledge, power and the nature of God.
Delivers some thought-provoking questions about our digital age, numerology, and the hubris involved in all projects designed to decode the mystery of the universe.
The movie's low-budget look neatly matches the claustrophobia of Max's life, but the filmmakers have also devised some special shooting methods for certain scenes. These sequences -- breathless and jangly chases, for the most part -- look terrific.
...like the value for pi, which has been calculated to one billion decimal places and counting, it does not fail to generate curiosity and speculation.
Pi is a lesson to aspiring film makers everywhere: perfect your skills, be original, be bold. It's a pity young British directors aren't making films as unique and imaginative as this. Startlingly good cinema.
Features too many half-formed ideas to live up to its potential.
I found Cohen's quest to be interesting, but it sure made me uncomfortable to watch him writing around and screaming in pain every few minutes. Then again, then the search for truth is often painful, and so is math, for some of us.
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