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The Pianist (2002)
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Reviews Counted:34
Fresh:32
Rotten:2
Average Rating:8.1/10
Consensus: Well-acted and dramatically moving, The Pianist is Polanski's best work in years.
Rated: R [See Full Rating] for violence and brief strong language
Runtime: 2 hrs 30 mins
Genre: Dramas
Theatrical Release:Dec 27, 2002 Limited
Box Office: $32,519,322
Synopsis: Roman Polanski's THE PIANIST is based on the memoirs of the talented pianist Wladyslaw Szpilman (Adrian Brody), a Polish Jew, who miraculously survived World War II. The first half of the film... Roman Polanski's THE PIANIST is based on the memoirs of the talented pianist Wladyslaw Szpilman (Adrian Brody), a Polish Jew, who miraculously survived World War II. The first half of the film transports viewers to 1939 Poland, and brings it to life clearly and believably. Szpilman is a tall, handsome, winsome man who is revered for his piano performances on public radio. He lives with his family--an intelligent, loving, and spirited bunch--in an upscale flat in central Warsaw. Bombings have begun to torment the citizens of Warsaw, and step by step, the Nazis infiltrate, the Jews are branded and set apart from their neighbors, imprisoned in a ghetto, and slowly exterminated. The story is told through Szpilman's eyes, and thus carries as much confusion and fear as disgust and torment. Polanski paints Warsaw in bleak shades of gray and black, expressing the helplessness of the Jewish people and the cruelty of the Nazis with captivating photography. In the second half of the film, which takes place in the early 1940s, Szpilman is alone, having managed to avoid the trains to the death camps. His struggle to survive, with some help from non-Jews but mostly his own will to thrive, takes place in long, silent, languid stretches filled with the imagined piano music that inspires Szpilman to live. In a climactic scene of immense beauty and spine-tingling tension, Szpilman must actually perform for a German soldier who is inexplicably patrolling the near-deserted and utterly dilapidated Warsaw ghetto. THE PIANIST, in the subtlety of its sublime and heartbreaking tale, is carried by the intensely moving performance of Brody, whose transformation is truly unforgettable. [More]
Starring: Adrien Brody, Emilia Fox, Thomas Kretschmann, Frank Finlay
Starring: Adrien Brody, Emilia Fox, Thomas Kretschmann, Frank Finlay, Maureen Lipman, Michael Zebrowski, Ed Stoppard, Jessica Kate Meyer, Julia Rayner, Ruth Platt
Director: Roman Polanski
Director: Roman Polanski
Screenwriter: Ronald Harwood
Producer: Roman Polanski, Robert Benmussa, Alain Sarde
Composer: Wojciech Kilar
Studio: Focus Features
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Reviews for The Pianist
In going home to tell Szpilman's story Polanski seems reborn: once again he's become a filmmaker who matters.
We admire this film for its harsh objectivity and refusal to seek our tears, our sympathies.
The Holocaust has been the subject of many films. The Pianist is one of the great ones.
It is a chilling account, as barren of emotions as a Samuel Beckett play, and yet it is indescribably moving.
The Pianist breaks no new ground, but serves as a strong reminder of one of mankind's truly awful moments.
This is not a thriller, and avoids any temptation to crank up suspense or sentiment; it is the pianist's witness to what he saw and what happened to him.
Polanski's achievement here is to avoid the Holocaust porn of post-Schindler's List cinema and show us the ghetto's daily grind.
In creating his one-man epic, Polanski takes us beyond the horror of evil or the banality of evil. He takes us into its hideous absurdity.
The brilliance of The Pianist, a film that stands with any of the great dramas about the Holocaust, is not that its story is so unbelievable, but that it is so relentlessly matter-of-fact.
There seems to be no end to movies that deal with the Holocaust, but The Pianist, in its craftmanship and its approach to the tale, is a story we haven't seen before.
The Pianist lacks the quick emotional connections of Steven Spielberg's Schindler's List. But Mr. Polanski creates images even more haunting than those in Mr. Spielberg's 1993 classic.
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