It is, of course, always a pleasure to watch Martin's steam-gauge face register his rising internal pressures and to witness his exquisitely expressed blowoffs. But Candy offers even more insinuating delights.
Planes, Trains and Automobiles (1987)
Tomatometer
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Reviews Counted:8
Fresh:7
Rotten:1
Average Rating:7.3/10
Runtime: 1 hr 33 mins
Genre: Comedies
Synopsis: All Neal Page (Steve Martin) wants to do is make it home from a business trip in New York City and spend Thanksgiving with his family in Chicago. Instead, he finds himself rerouted from New York's... All Neal Page (Steve Martin) wants to do is make it home from a business trip in New York City and spend Thanksgiving with his family in Chicago. Instead, he finds himself rerouted from New York's La Guardia Airport to Wichita, Kansas. With no other options, Neal decides to share a room in a fleabag hotel with Del Griffith (John Candy), a shower-curtain-ring salesman and fellow stranded traveler. Although Neal finds Del to be a buffoon, he just can't seem to get away from him. To make matters worse, all their efforts to get back to Chicago fail as trains break down and rental cars catch on fire. Along the way they encounter crazy cabbies, redneck truck drivers, and oversexed bus passengers. John Hughes's (SIXTEEN CANDLES, THE BREAKFAST CLUB) first film to feature adults after his success with teen films features fine performances from Martin and Candy. Kevin Bacon, who appeared in Hughes's next film, SHE'S HAVING A BABY, makes a small but humorous appearance, as does Edie McClurg, known for her role as the high school secretary in FERRIS BUELLER'S DAY OFF. [More]
Starring: Steve Martin, John Candy, Kevin Bacon, Michael McKean
Starring: Steve Martin, John Candy, Kevin Bacon, Michael McKean, William Windom
Director: John Hughes
Director: John Hughes
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Reviews for Planes, Trains and Automobiles
Man versus technology has been one of the staples of screen comedy since the earliest silent days, and Hughes makes the most of the format here packing as many of the frustrations of modern life as he can into this calamitous travelog of roadside America.
The film does have its scattered moments. But too often, the audience has as much reason as Del and Neal do to wonder where, if anywhere, they are going.
The script and direction by Hughes ... amount to wobbly passes that Martin and Candy turn into touchdowns anyway.
It's a fine cinematic treat that doesn't demand much from a viewer, but gives back a lot, both in terms of laughter and good feeling.
The movies that last, the ones we return to, don't always have lofty themes or Byzantine complexities. Sometimes they last because they are arrows straight to the heart.
A screwball comedy with a heart, and after the laughter is over the film has generated a lot of good feeling.
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