"Leon The Professional" is a consummate hit man movie from the early '90s era in cinema when every young filmmaker wanted to be the next Tarantino. Luc Besson just had to be himself.
Léon the Professional (1994)
Tomatometer
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Reviews Counted:38
Fresh:28
Rotten:10
Average Rating:6.7/10
Runtime: 2 hrs 13 mins
Genre: Action/Adventure
Synopsis: Leon (Jean Reno) is a precise, calculating hit man--a consummate professional, with no family and no friends. However, he has casually befriended Mathilda (Natalie Portman, in an auspicious debut),... Leon (Jean Reno) is a precise, calculating hit man--a consummate professional, with no family and no friends. However, he has casually befriended Mathilda (Natalie Portman, in an auspicious debut), a 12 year-old neighbor whose entire family, including her adored 4-year-old brother, is wiped out by some crooked DEA agents. The girl pleads with Leon to teach her how to be a "cleaner" and avenge her little brother's death. However, once she learns a few skills, Mathilda saunters into the DEA offices with the sole intention of killing the psychotic agent (Gary Oldman) who actually masterminded the executions. But her intended victim turns the tables on her, and Leon must rescue her. LEON was French director Luc Besson's first film shot in America. [More]
Starring: Jean Reno, Natalie Portman, Gary Oldman, Danny Aiello
Starring: Jean Reno, Natalie Portman, Gary Oldman, Danny Aiello, Peter Appel
Director: Luc Besson
Director: Luc Besson
Producer: Claude Besson
Screenwriter: Luc Besson
Composer: Eric Serra
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Reviews for Léon the Professional
Reno's performance of hangdog loyalty lends his character pleasing sympathy while Besson's heavily stylized direction builds tension around sexy violence.
Oozing style, wit and confidence from every sprocket, and offering a dizzyingly, fresh perspective on the Big Apple that only Besson could bring, this is, in a word, wonderful.
Luc Besson is a masterly director of stylish, thrilling, and humorous action set pieces, and this film's bravura opening and closing sequences are two of the year's best.
Besson fails to make much of New York's visual potential, and lazily asks that Leon's expertise be taken on trust. The shallowness was to be expected; the slackness is surprising.
The Professional is much too sentimental to sound shockingly amoral in the least. Even in a finale of extravagant violence, it manages to be maudlin.
Despite Besson's mastery of technique, Leon's success is due in large part to its elegant performances.
Good, if not overrated. Reno is always a delight and a young Portman adds a lot to the heart and soul of the film.
Much better in the extended foreign version that shows more of the girl's hitman training. Typical French downer, but interesting relationship piece.
The European cut rocks -- U.S. version less so. Biggest drawback is that Besson tries to persuade us Reno is Italian, and I'm never buying that.
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