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Movies / On DVD / Repo! The Genetic Opera
Repo! The Genetic Opera

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Repo! The Genetic Opera (2008)

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Reviews Counted: 52

Fresh: 17

Rotten:35

Average Rating: 4.5/10

Consensus: Bombastic and intentionally gross, Repo! The Genetic Opera has a unique style but lacks the wit and substance to be involving.

Rated: R [See Full Rating] for strong bloody violence and gore, language, some drug and sexual content.

Runtime: 1 hr 38 mins

Genre: Horror/Suspense

Theatrical Release:Nov 7, 2008 Limited

Synopsis: Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than... Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than fans of musical theater. One fan, aspiring director Darren Lynn Bousman, who has since worked on the SAW franchise, vowed to one day direct a film version of the show. Six years (and five SAW films) later, he has made good on his promise with a bizarre, gory, and unique piece of work that is as sure to entertain as it is to polarize its audience. In the year 2056, following an epidemic of human organ failure, the GeneCo Corporation--owned by the mafia-like Largo family--grows and installs new organs on a massive scale. The business, though, necessitates the employment of repo men to reclaim the organs from clients who miss their payments. Repo man and single father Nathan Wallace (Anthony Head, BUFFY THE VAMPIRE SLAYER) keeps his job a secret from his terminally ill daughter, Shilo (Alexa Vega), doing it only to pay for her costly medication. Nathan also has a secret history with GeneCo patriarch Rotti Largo (Paul Sorvino)---and their connection is about to become public knowledge on the night of a concert from popular singer--and GeneCo client--Blind Mag (Sarah Brightman). Compellingly strange, REPO! resembles a comic book-influenced goth dinner theater production set within a dystopian video game. Musically, the score concentrates more on libretto-like sung dialogue than memorable tunes (save Vega's pop-punk "Sixteen" and Brightman's chilling "Chromaggia"), but the cast appears to be having a blast. Skinny Puppy's Nivek Ogre lends some underground cred as the most twisted member of the Largo clan, but Brightman gives the comically bloody proceedings true legitimacy. A surprising casting choice, she's an almost regal presence, and her goosebump-inducing soprano soars stratospherically above this fun cult film in-the-making. [More]

Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich

Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich, Paris Hilton, Sarah Brightman, Bill Moseley, Ogre

Director: Darren Lynn Bousman

Director: Darren Lynn Bousman
Screenwriter: Darren Smith, Terrance Zdunich
Producer: Mark Burg, Oren Koules, Dan Heffner, Carl Mazzocone
Studio: Lions Gate Films

[See More Credits]

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    Terrance Zdunich & Darren Lynn Bousman (Part One)
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Release:

Jan 20, 2009

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Reviews for Repo! The Genetic Opera

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1 - 20 (sorted by date)
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This is a Grand Guignol science fiction rock opera. The plot is minimal and for a rock opera, there is too little real melody.

Full Review Source: rec.arts.movies.reviews | comment Comment
04/13/09
Mark R. Leeper
rec.arts.movies.reviews

Falling somewhere between Rocky Horror, Moulin Rouge! and Eyes Without A Face (with songs!), Repo! The Genetic Opera is the filmic equivalent of what architects call a 'folly'.

Full Review Source: Little White Lies | comment Comment
03/06/09
Anton Bitel
Little White Lies

somewhere between Nine Inch Nails and The Rocky Horror Picture Show

Full Review Source: 7M Pictures | comment Comment
03/05/09
Kevin Carr
7M Pictures

There is too much ambition on display for the film to be completely dismissed, but good intentions carry Repo! only partway toward success.

Full Review Source: Cinefantastique | comment Comment
02/19/09
Steve Biodrowski
Cinefantastique

Truly, the movie doesn't gain a lot from being set to music; after about half an hour it starts to feel like a gimmick.

Full Review Source: eFilmCritic.com | comment Comment
02/03/09
Rob Gonsalves
eFilmCritic.com

If you're looking for insight into the death and resurrection of Christ, look no further: I can think of no better means by which to experience the cumulative effect of three days in hell in under 100 minutes.

Full Review Source: Projection Booth | comment Comment
01/20/09
Rob Humanick
Projection Booth

Repo! lingers long after it ends, due in great part to a handful of memorable tunes and its persistent funky attitude, marked by an impressive desire to savor oddity and unconventional displays of heartache.

Full Review Source: BrianOrndorf.com | comment Comment
01/13/09
Brian Orndorf
BrianOrndorf.com

No, fans of "Mamma Mia!" won't be too thrilled with "Repo! The Genetic Opera."

Full Review Source: ESplatter | comment 1 Comment
01/10/09
Lucius Gore
ESplatter

[A] gory, off-putting musical, which tries to combine Gothic rock stylings with the grotesque sensibilities of so-called, 'torture-porn' horror-thrillers.

Full Review Source: Deseret News, Salt Lake City | comment Comment
01/05/09
Jeff Vice
Deseret News, Salt Lake City

Bousman's editing and camera angles are consistently inventive, and the production design (Blade Runner is a big influence, as is Disneyland's "Haunted Mansion" attraction) squeezes a lot of bang out of every buck.

Full Review Source: Kansas City Star | comment Comment
12/18/08
Robert W. Butler
Kansas City Star

clearly strives to defy description, which of course makes it fun to describe

Full Review Source: Filmcritic.com | comment Comment
12/08/08
Jesse Hassenger
Filmcritic.com

As it has evolved from a 10-minute cabaret piece, through a short film Bousman made in Toronto, to the big screen, Repo! The Genetic Opera has gained in both guts and gusto.

Full Review Source: Toronto Star | comment Comment
11/21/08
Susan Walker
Toronto Star
Top Critic Icon Top Critic

Repo! is a bloody grotesquerie, not a delicious delight as was Rocky Horror.

Full Review Source: Jam! Movies | comment 2 Comments
11/21/08
Bruce Kirkland
Jam! Movies

David Cronenberg might have made a great movie with the plot to Repo! The Genetic Opera.

Full Review Source: Globe and Mail | comment Comment
11/21/08
Stephen Cole
Globe and Mail
Top Critic Icon Top Critic

It's not often you come across a film as unique as this, and while my taste for liver, lights, and sweetbreads isn't what it once was, this is still a fine post-Halloween aperitif, with guts to spare.

Full Review Source: Austin Chronicle | comment 2 Comments
11/20/08
Marc Savlov
Austin Chronicle

All-out thriller with few Bond touches but plenty of high-octane action.

Full Review Source: Hollywood Reporter | comment 4 Comments
11/10/08
Ray Bennett
Hollywood Reporter
Top Critic Icon Top Critic

I hated this movie.

Full Review Source: At the Movies | comment 4 Comments
11/10/08
Ben Mankiewicz
At the Movies

I don’t know if words can describe just how awful and disgusting and insulting this movie was to watch.

Full Review Source: At the Movies | comment 4 Comments
11/10/08
Ben Lyons
At the Movies

People may want to label this emotionally cold curiosity piece as a cult in the making, but such claims might be jumping the gun. The picture doesn't hold nearly enough charm for that.

Full Review Source: TheMovieBoy.com | comment Comment
11/08/08
Dustin Putman
TheMovieBoy.com

for all its mish-mash of genres and ideas, it's mostly just a confusing musical.

Full Review Source: Paste Magazine | comment Comment
11/07/08
Sean Gandert
Paste Magazine
 
 
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Latest News for Repo! The Genetic Opera

April 17, 2009: Sam Raimi, Clive Barker, More At Fangoria's Weekend of Horrors
Are you in the L.A. area and dying to meet your favorite masters of horror, science fiction, film, and television? Then the L.A. Convention Center is where you'll want to be... More...

March 09, 2009: Part shrill melodrama, part carnivalesque gorefest, part comicbook cyberpunk, and all song and dance, this is certainly a curio, even if its exuberant style cannot quite conceal the shallowness of its plot and the thinness of its characters Opens in new window
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