Average Rating: 7.5/10
Reviews Counted: 206
Fresh: 170 | Rotten: 36
Somber, stately, and beautifully mounted, Mendes' Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons.
Average Rating: 7.1/10
Critic Reviews: 37
Fresh: 29 | Rotten: 8
Somber, stately, and beautifully mounted, Mendes' Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons.
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Average Rating: 3.5/5
User Ratings: 159,825
The acclaimed graphic novel from crime writer Max Allan Collins becomes this big budget Dreamworks drama from director Sam Mendes and screenwriter David Self. Tom Hanks stars as Michael Sullivan, a morally conflicted Depression-era hit man committing murder in the name of his employer, John Rooney (Paul Newman). A kindly, aging Irish crime boss who raised Sullivan as his surrogate son, Rooney is affiliated with Al Capone in Chicago and thus wields great power in the "Tri-Cities" of Moline, IL;
Jul 12, 2002 Wide
Feb 25, 2003
$104.1M
DreamWorks SKG
All Critics (208) | Top Critics (37) | Fresh (179) | Rotten (36) | DVD (37)
While crisply edited and unindulgent, Mendes' work is gratifyingly old-school in its rejection of modern-day stylistic agitation, the better to achieve a slow but inexorable build to its climax.
Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry.
Pretentious, portentous and humorless.
[A] solid strong piece of work.
The pulp shows clearly through the high-art preening: It isn't prominent enough to be fun, and the art, with few exceptions, isn't high enough to justify all the moody-blues meaningfulness.
Despite the surface attractions -- Conrad L. Hall's cinematography will likely be nominated for an Oscar next year -- there's something impressive and yet lacking about everything.
Powerful, beautiful film; ok for mature teens.
The top-billed actors deliver: Hanks with his resonant reserve and Newman in conveying Rooney's failed attempt to live up to his self-image as the ultimate just and loving patriarch. [Blu-ray]
...it all works surprisingly well for so simple a story, and it involves the audience in its action from beginning to end. (Blu-ray Edition)
...something more than the sum of its parts; namely, a gripping, touching, entertaining motion picture.
This last motif surges in the film's coda with a sequence that is 2002's most rapturous, a long, undulating shot that combines serenity and horror.
Director Sam Mendes is on course to become one of the great directors of this decade.
From the first ten minutes you can already guess this is a true epic and masterpiece.
It's Newman who really stands out. Despite his advanced years -- he's 77 -- the man still has remarkable presence.
Hanks and Newman are the personification of anguish and torn loyalty in a gripping, violent film that is part character study and part cat-and-mouse chase with classic western embellishments.
Road is so beautiful, so well composed and so tidy in its sense of justice that it never quite gets its hands dirty enough to evoke any true emotion.
Ploughing a furrowed brow, Hanks is fatally miscast -- except that the story turns so sentimental and bathetic, he's actually in his element.
A simple parable, starkly outlined, with talented actors shading these sketches with wisdom and detail.
An enjoyable, well-acted, written, and directed two hours.
It's wonderful to see Paul Newman in a great role again.
Mendes has proven that he must be counted among the greatest directors
Easily the best movie so far in 2002, Road to Perdition holds its own against the finest films any year has to offer.
Road to Perdition is a brilliant and heart wrenching movie. Tom Hanks should've had an Oscar nomination and the kid deserves more credit too. Tom Hanks plays Micheal Sullivan and Tyler Hoechlin plays his son, Micheal is a gangster who works for close friend John Rooney (Paul Newman), the friendship between the two
April 28, 2011
Super Reviewer
Sam Mendes' 'Road to Perdition' is an extremely well crafted film with skill and style created by its talented director. Besides an obviously splendid cast filled with overlooked performances (Craig, Tucci, Law), the films cinematography is used as such a powerful tool, a way to advance the story without actually using
April 23, 2011Super Reviewer
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