Average Rating: 7.5/10
Reviews Counted: 39
Fresh: 35 | Rotten: 4
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Critic Reviews: 4
Fresh: 3 | Rotten: 1
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John Travolta graduated from minor celebrity to superstar with Saturday Night Fever. Travolta plays Tony Manero, a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another (including "Stayin' Alive"), we watch white-suited Tony strut his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his
Dec 19, 1977 Wide
Aug 10, 2002
Paramount Pictures
All Critics (40) | Top Critics (5) | Fresh (40) | Rotten (5) | DVD (35)
A small, solid film, made with craft if not resonance.
Travolta's characterization, given the script and directorial demands, is okay. It will please the already-committed; but it won't win him any new fans.
Mr. Travolta is deft and vibrant, and he never condescends to the character, not even in a scene that has Tony and Stephanie arguing about whose Romeo and Juliet it is, Zeffirelli's or Shakespeare's.
There's a lot in the movie that's sad and painful, but after a few years what you remember is John Travolta on the dance floor in that classic white disco suit, and the Bee Gees on the soundtrack.
Disco drama is not just daaancin' yeah!
In a just world, this movie would've been soundtracked with Donna Summer's "Could It Be Magic" and Diana Ross's "Love Hangover." So, in other words, the soundtrack to Looking for Mr. Goodbar.
Saturday Night Fever's heart is actually in the right place. It's ears, though? That's another story.
...one cannot dismiss its cultural significance, which today may be part of its campy appeal. (Blu-ray Edition)
Today, it's like a kind of '70s jukebox that hasn't quite aged that well.
The omission of John Travolta in any of the commentaries or documentaries is a major shadow that the new disc cannot get out from.
John Badham's film (his best to date), a zeitgeist picture that captures the disco subculture of the 1970s like no other work, features a star-making performance from John Travolta who dominates every frame.
In the end, the real killer is the movie's abject sincerity.
My "how to" book as a teenage.
I was shocked. This film was way better than I expected. I was tempted to fast-forward the many dance sequences, but around them, John Travolta builds an interesting and compelling character with a performance worthy of its Academy Award nomination. Tony Manero has Rocky and Serpico posters on the bedroom wall in his
April 15, 2012Super Reviewer
Silly but, for some strange reason, charming.
April 25, 2010
Super Reviewer
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Red Tails, This Means War
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