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The Savages (2007)
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Reviews Counted:37
Fresh:36
Rotten:1
Average Rating:7.9/10
Consensus: Thanks to a tender, funny script from director Tamara Jenkins, and fine performances from Philip Seymour Hoffman and Laura Linney, this film delivers a nuanced, beautifully three-dimensional look at the struggles and comforts of family bonds.
Theatrical Release:Nov 30, 2007 Limited
Box Office: $6,426,953
Synopsis: Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE... Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE SAVAGES is a sometimes-funny, sometimes-sad look at family dynamics, but this time around the sense of humor is more wry than riotous. Laura Linney and Philip Seymour Hoffman play Wendy and Jon Savage, a pair of siblings on the cusp of middle age. She's earning money in New York City as a temp as she writes an autobiographical play about their childhood, while he lives in Buffalo, teaching college and finishing a book on Bertolt Brecht. Their estranged father (Philip Bosco) lives across the country, but the Savages reluctantly rush to see him when they learn that he may not be able to take care of himself any longer. Jon and Wendy bicker over problems old and new as they try to figure out what's best for a man they barely know. Like Noah Baumbach in THE SQUID AND THE WHALE and MARGOT AT THE WEDDING, writer-director Jenkins knows how to mine family dysfunction for both comedy and drama. Jon and Wendy tear into each other as only people connected by blood can, but their fighting feels entirely genuine, largely thanks to the performances of Linney and Hoffman. Though they'll get most of the buzz for their roles, character actor Bosco is heartbreaking as their aging father. Though his decline is difficult to watch, the actor's performance is absolutely mesmerizing. [More]
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman, Gbenga Akinnagbe
Director: Tamara Jenkins
Director: Tamara Jenkins
Screenwriter: Tamara Jenkins
Producer: Ted Hope, Anne Carey, Erica Westheimer
Composer: Stephen Trask
Studio: Fox Searchlight Pictures
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Reviews for The Savages
Linney and Hoffman are both terrific, and Jenkins's script is pointed and perceptive, but the film's arc is a little flat.
It's billed as a comedy. You may or may not find much to laugh at.
Powerful, painful and yet unerringly funny as it points out our emotional and physical vulnerabilities, this is a film that finds the humor in tragedy while keeping both omnipresent.
The Savages not only boasts Oscar-worthy performances from Philip Seymour Hoffman and Laura Linney as a self-absorbed brother and sister, its attention to detail makes it sweetly funny and genuine.
The film is savagely funny about the indignities of old age, yet optimistic that it’s never too late to have a happy childhood.
The dynamic that operates throughout this film is fantasy versus reality, not just in the lives of the characters but in American life in general.
Tamara Jenkins has made a movie about something that lots of people are going through but nobody wants to deal with, not even in life, much less in entertainment. And she's done it fearlessly, with the right mix of humor and horror.
Both Linney and Hoffman are so specific in creating these characters that we see them as people, not elements in a plot.
Assured and sharp, The Savages is only Jenkins' second feature-length film. You'd never know it.
One of those genre-defying hybrids that are sometimes called dramedies, The Savages tiptoes along a particularly fraught emotional tightrope, balancing observant humor and deep sadness with uncommon grace.
Although the story may sound as dismal as Buffalo's weather, it's surprisingly funny. Not gag funny, but observation funny -- the absurdities of real life, seen and presented.
I wouldn't call the film inspirational — it is too well observed to succumb to easy sentiment — but its realism is patiently engaging and subtly insinuating
With the help of acting giants, [director Tamara] Jenkins turns The Savages into a twisted, bittersweet pleasure.
Tamara Jenkins returns with a story that squarely addresses the concerns of middle age, treating them with the gravity they deserve but also the forbearance and humor they often demand.
One of those small, perfectly crafted, bittersweet family dramas it touches on so many truths it’s almost painful to watch at times.
The movie also comes with the wistful sadness of a maturing filmmaker who understands that in matters of death, sorrow and black comedy often walk hand in hand.
While The Savages is a story about decrepitude and death, and chronicles a family whose wounds run too deep, it never has that claustrophobic, trapped-in-a-nightmare feeling of some dysfunctional family flicks.
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January 25, 2008:
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