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School for Scoundrels (2006)
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Reviews Counted:135
Fresh:33
Rotten:102
Average Rating:4.6/10
Consensus: School for Scoundrels squanders its talented cast with a formulaic, unfocused attempt at a romantic comedy that's neither romantic nor funny.
Rated: PG-13 [See Full Rating] for language, crude and sexual content, and some violence
Runtime: 1 hr 47 mins
Genre: Comedies
Theatrical Release:2006
Box Office: $17,787,157
Synopsis: Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice... Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice about how to "initiate confrontation" and "lie, lie, and lie some more," Dr. P turns his students into virile studs who hide their still-lingering insecurities behind sunglasses and absurd bluster. When one student, the kindhearted but painfully awkward Roger (NAPOLEON DYNAMITE's Jon Heder), has too easy of a time capturing the girl of his dreams, Dr. P's competitive streak goes off the charts and a battle between teacher and student ensues. After an exchange of several pranks, each with increased maliciousness and consequence, one of the two fellas lands the girl. While SCHOOL FOR SCOUNDRELS (based on a British comedy from the 1960s, and co-written and directed by Todd Phillips) doesn't reach the rambunctious fever pitch of OLD SCHOOL (also directed by Phillips) or contain the oddly endearing, near-sublime vulgarity of THE 40-YEAR-OLD VIRGIN, it does have its fair share of laughs. The primary redeeming quality of the film is its excellent cast, which features various alumni of THE UPRIGHT CITIZENS BRIGADE, SATURDAY NIGHT LIVE, and MR. SHOW (including Matt Walsh, Paul Scheer, Horatio Sanz, Sarah Silverman, and David Cross). Billy Bob Thorton has developed something of a mid-career cottage industry playing foul-mouthed S.O.Bs; Heder has the lovably awkward dork down to a twitch-filled science (his panic attacks nearly induce the same in the audience); and while former REAL WORLD LONDON cast member Jacinda Barrett is stuck in the somewhat restrictive girlfriend role as Amanda, she's genuinely charming and effervescent. Fans of the early-2000s "frat pack"-style comedies should find much to amuse them in SCHOOL FOR SCOUNDRELS. [More]
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett, Sarah Silverman, Ben Stiller, Horatio Sanz, Matt Walsh, Paul Scheer, David Cross
Director: Todd Phillips
Director: Todd Phillips
Screenwriter: Todd Phillips, Scot Armstrong, Hal E. Chester, Patricia Moyes
Producer: Daniel Goldberg, Todd Phillips
Composer: Christophe Beck
Studio: Weinstein Company
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Reviews for School for Scoundrels
...the film remains consistently watchable thanks to Todd Phillips and Scot Armstrong's surprisingly clever screenplay and the uniformly effective performances.
The only link to the original books is the name Dr P given to the foulmouthed teacher of a New York class offering assertiveness training to pathetic nerds. He's played by Billy Bob Thornton, which is rather like casting Burt Reynolds as Bertrand Russell.
It's funny at first, but then loses its way so badly that it somehow winds up as a high-tech espionage thriller.
Only toward the end of the film do the hostilities reach a level of recklessness with any potential to be funny. If things had started at that pitch and been ramped up from there, Phillips might have had a movie worth making.
The comic sallies and set-pieces are very much at the wrong end of the bang-whimper spectrum.
Billy Bob phones in a below-par performance but still blows his young rival off the screen.
Unlike the original, this version is never sure whether it wants to go to the dark side or not.
It's not funny; there were three laughs I counted over the entire course of the movie.
A choice cast fails to turn this woeful slapstick into the scathing attack on weak minds the film half promises.
Crass, obvious and largely unfunny - in fact just about everything the original film isn't.
The characters are one-dimensional, the plot makeshift, and the jokes unrelentingly cruel.
As a comedy it can never sustain itself, and while there are moments to enjoy, it is all pretty forgettable, which is a shame because the concept remains an amusing one.
The performances ensure that this is never less than watchable but it's not as clever or as funny as it should have been.
Ben Stiller cameo apart, something’s wrong when a proven comedic property and two well-matched stars can scarcely raise a titter.
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