Average Rating: 8.6/10
Reviews Counted: 19
Fresh: 18 | Rotten: 1
No consensus yet.
Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1
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Average Rating: 4/5
User Ratings: 6,066
Francois Truffaut's loving homage to Hollywood gangster films is less a plot-filled film noir than a free-associative meditation on the genre. Charles Aznavour stars as a one-time concert pianist who gained fame as Edouard Saroyan but has since changed his name to Charlie Kohler and plays honky-tonk in an out-of-the-way saloon. His self-imposed exile is shattered by the appearance of his mobster brother Richard Saroyan (Jacques Aslanian). Richard and his other brother, Chico (Albert Remy), are
Unrated, 1 hr. 32 min.
Drama, Romance, Art House & International, Mystery & Suspense, Comedy
May 18, 1999
All Critics (22) | Top Critics (5) | Fresh (21) | Rotten (1) | DVD (11)
The determined jollity of Georges Delerue's saloon piano score, which later opens up to encompass a wide world of romanticism, sets the tone for Francois Truffaut's audacious second feature, made in 1960.
Truffaut's form of self-reflection is ultimately a way of playing the audience.
It is a teasing and frequently amusing (or moving) film that M. Truffaut has made, but it simply does not hang together.
One of those rare movies that you're sorry to see end.
It's my favorite Truffaut film, not because it's the best but because it's the most enjoyable.
Often overlooked, Truffaut's wonderful second film stars Charles Aznavour, master of the chanson, in his only collaboration with the director.
A landmark film that took the world three decades to accept
An affectionate tribute to the low-budget crime movies that Truffaut so loved, and it's one of my favorite Truffaut films.
A second from François Truffaut, Shoot The Piano Player boldly shoots how the past haunts the present and shall continuously pester the future. Crime, drama, romance, and mystery right on target.
September 10, 2011Super Reviewer
A heavily noir influenced crime drama about the inability to escape your past. For only his second feature, this film feels bold and mature. While it is much more stylized than his debut, it still retains a lot of the heart that made the 400 Blows so good.
April 6, 2011Super Reviewer
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