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Stoked: The Rise and Fall of Gator (2003)
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Reviews Counted: 47
Fresh: 37
Rotten:10
Average Rating: 6.6/10
Consensus: The harder they come, the harder they fall -- this film shows, in raw, gripping detail, that even skater dudes can't resist the life of the rich and famous. It's more poignant than hard-core, and gives us a portrait of a life run over by the whims of the entertainment industry.
Theatrical Release:Aug 22, 2003 Limited
Synopsis: STOKED: THE RISE AND FALL OF GATOR, is a biographical film about Mark "Gator" Rogowski, a legendary 1980s skateboarder. Beginning with the shocking news of Gator's demise--he brutally raped and... STOKED: THE RISE AND FALL OF GATOR, is a biographical film about Mark "Gator" Rogowski, a legendary 1980s skateboarder. Beginning with the shocking news of Gator's demise--he brutally raped and murdered a woman, buried her in the San Diego desert, and received a 31-year prison sentence--the film then starts back at Gator's beginnings when he was just an innocent 14-year-old kid. Gator set the stage for many of skateboarding's moves and styles as one of the most impressive "vert" performers of all time. Footage of Gator soaring off the ramp in a dramatic arc demonstrate his clear prowess. A devilish, cocky personality only helped propel Gator into the spotlight as the poster boy for Vision Street Wear--a brand that was once synonymous with the sport's image. As skateboarding became more mainstream and Gator got wealthy and sold out (the film features interviews with former girlfriend Brandi McClain who lived with him in a sprawling California mansion situated on an avocado grove) he soon lost his street cred and was dumped by the industry. Testimonials from Gator's former friends--skating icons like Jason Jessee, Ken Park, and Tony Hawk--shed light on the sport as a counterculture movement while telling funny, sad, insightful, and often scathing stories about Gator. This documentary from director Helen Stickler paints a sometimes inspiring yet increasingly menacing portrait of Gator that illustrates how his crime cast a dark shadow over the otherwise fun and carefree world of professional skateboarding. [More]
Starring: Mark "Gator" Rogowski, Jason Jessee, Tony Hawk, Lance Mountain
Starring: Mark "Gator" Rogowski, Jason Jessee, Tony Hawk, Lance Mountain
Director: Helen Stickler
Director: Helen Stickler
Producer: Helen Stickler
Composer: David Reid
Studio: Palm Pictures
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Reviews for Stoked: The Rise and Fall of Gator
It's fascinating to see the process by which skateboarding, in all its concrete grittiness, was transformed into a mainstream activity of consumer cool.
A near-perfect time capsule of a specific moment in our culture, and a telling analysis of instant celebrity and the fickleness of youth culture.
Stoked gives a young woman's rape and murder almost no narrative weight -- it is merely the disappointing spoiler to a talented skateboarder's career.
Despite doing a fine job telling this trajectory skateboarder bio, Stickler's tale lacked an edge and the power to make this story stick in the ribs.
You can see why Stickler was drawn to the charismatic Gator, but his story is so extreme (he is serving life for murder) that it effectively unbalances the project.
Consistently throughout the film, Stickler skates right over the crux of the matter.
Unlike Stacy Peralta's romantically nostalgic '70s skate-umentary Dogtown & Z Boys, Stickler delves into the dirty details, even showing the decomposed remains of his victim.
Tells a fascinating and very sad story ... and gives us lots of cool skateboard action along the way
Picks up the history of skateboarding where Stacy Peralta's Dogtown and Z-Boys leaves off.
Stickler has to be resourceful to tell this tale, and her storytelling methods are competent.
A fascinating study of the '80s not merely captivated by leg warmers and shoulder pads, but by the tenor of our cultural obsessions at the time.
Packed to the rafters with fine old competition footage and clips from Vision's wildly popular skateboarding videos, but it's Gator’s imprisoned voice ... that lends the film its most tragic overtones.
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