n Summer Hours, Olivier Assayas's gently provocative rumination on family and possessions, a trio of siblings wrestles with the problem of what to do with the old homestead once Mother is gone.
Summer Hours (2009)
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Reviews Counted:28
Fresh:26
Rotten:2
Average Rating:7.8/10
Consensus: Olivier Assayas' contemplative family drama handles lofty ideas about art and culture with elegance and lightness.
Theatrical Release:May 15, 2009 Limited
Box Office: $1,566,427
Synopsis: French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene... French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene (Edith Scob) has just turned 75 and is increasingly concerned about the particulars of leaving her estate behind when she dies. Unfortunately, the time comes when Adrienne (Juliette Binoche), Jeremie (Jeremie Renier), and Frederic (Charles Berling) must decide what to do with Helene's house and the artwork left behind by her famous uncle. Adrienne, who is living in New York City, and Jeremie, who is working in Asia, both understand that their future no longer resides in France, leaving the burden to Frederic. However, even when the siblings are at odds, they don't succumb to fighting. They seem to understand and accept that this is an unfortunate, muddled situation, and as much as they'd love to hold on to the house, it appears that their current situations carry more of an influence than the lives of their nostalgic past. With SUMMER HOURS, Assayas has delivered an understated motion picture about the importance of objects as historical artifacts and family heirlooms, and how time renders these objects obsolete. Contrary to the dysfunctional family dramas of fellow countryman Arnaud Desplechin (A CHRISTMAS TALE, KINGS AND QUEEN), Assayas keeps his characters calm and stable throughout. He isn't condemning these individuals for turning their backs on the past, and he certainly isn't out to belittle the importance of these objects' places in history. Shot by the acclaimed Eric Gautier and flawlessly acted by its principal cast, SUMMER HOURS is a touching, thoughtful drama. [More]
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob, Dominique Reymond, Valérie Bonneton, Isabelle Sadoyan, Kyle Eastwood
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Marin Karmitz, Nathanael Karmitz, Charles Gillibert
Studio: `
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Reviews for Summer Hours
Evocative look at a family trying to decide what to do with its treasures.
Where a Hollywood film of a family feuding over a fabulous estate would surely end with a slapped face and an infantry charge of lawyers, Assayas's work concludes with a smile and a shrug. Life goes on. What else can it do?
Performances in this small and profoundly eloquent film are superb, yet none redirects attention from Assayas's earnest meditation on the ravaging effects of a shrinking world on family traditions and entrenched personal relationships.
While the ideas are worth considering, director Olivier Assayas moves the story at an escargot's pace, and the characters are gossamer thin.
Summer Hours begins with an energetic treasure hunt. It ends reminding us how our lives are spent learning and unlearning what is to be treasured.
You won't find filmmaking more assured, commanding and evocative than that of Summer Hours in its opening scenes.
A sweet pearl of a French film, Summer Hours may work as a perfect antidote for those seeking refuge from the summer blockbuster season.
The texture and flow of Summer Hours, the supple quality of the acting, the fluid camerawork isolating this or that observer while life flows on and domestic crises ebb and flow -- it all comes together as formidably detailed and easy-breathing cra
If this enjoyable film is substantially more satisfying than those predecessors, it's also far less daring, a straightforward extended-family drama in the mode of last year's (more engrossing) art-house highlight A Christmas Tale.
Berling, Binoche and Renier all play off each other effortlessly, and Summer Hours makes you feel comfortable spending time with their family, too.
One realizes the real dramatic conflict is between the past, which must be honored, and the present, which must be lived.
The actors all find the correct notes. It is a French film, and so they are allowed to be adult and intelligent.
In the end, Assayas, shooting the film with relaxed, flowing camera movements, gives his love not to beautiful objects but to the disorderly life out of which art is made.
Even for a French drama, Summer Hours is so slow as to be practically still.
This exquisitely subtle family drama finds writer-director Olivier Assayas in a deeply contemplative mood.
The magic of Summer Hours is that even in its elusiveness, it gives us something to hang onto.
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