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Syndromes and A Century (2007)
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Reviews Counted:40
Fresh:35
Rotten:5
Average Rating:7.4/10
Consensus: Despite having little in the way of narrative, Apichatpong Weerasethakul's Syndromes is a poignant and mesmerizing memoir.
Theatrical Release:Apr 18, 2007 Limited
Synopsis: A soothing melody saturates the moving images of Apichatpong Weerasethakul's newest cinematic invention, Syndromes and a Century. It seems to originate from all corners of the screen and percolates... A soothing melody saturates the moving images of Apichatpong Weerasethakul's newest cinematic invention, Syndromes and a Century. It seems to originate from all corners of the screen and percolates through soft-spoken dialogue, Thai songs, sounds of nature and even silence. A meditation on memories recalled by the filmmaker's parents from the period before they were lovers, the film travels time and space with graceful levity and binds the viewer with the magic spell of an anti-narrative mantra. Exploring a new form of filmmaking, Weerasethakul finds in Syndromes and a Century an unconventional path, leading to the radiant rendering of daily life. Set primarily in two hospitals, the film tells two similar stories from two different periods, mirroring their respective eras' mores. At a small-town hospital, Toa (Nu Nimsomboon) is courting charming Dr. Tei (Nantarat Sawaddikul). Toa is shy and clumsy in declaring his love and Tei's standoffish attitude doesn't help. She is still questioning her feelings for Noom (Sophon Pukanok), an orchid expert she has met at the flower market. At the same hospital, Ple (Arkanae Cherkam), a dentist, is curing, free of charge, the cavities of young monk Sakda (Sakda Kaewbuadee). Through their mutual interest in music - Ple is also a singer and Sakda, before entering the monastery, wanted to be a DJ - they develop a special friendship. The second story is set in a downtown Bangkok hospital. It revolves again around the narrative of Toa's courtship of Dr. Tei, as well as that of military man Dr. Nohng (Jaruchai Iamaram), who visits the physical therapy ward in the hospital's basement. Pearls of wisdom, descriptions of syndromes and fragments of time crystallize in luminous atmospheres and dot the modern architecture of the film, creating a charming, quiet incantation. Ultimately a study of human behaviour, Syndomes and a Century confirms Weerasethakul as one of the brightest and most innovative lights in the contemporary cinema. His ability to envision and prepare for the future perfectly matches the spirit of Mozart's work. -- © Toronto Film Festival [More]
Starring: Nantarat Sawaddikul, Jaruchai Lamaram, Sophon Pukanok, Jenjira Pongpas
Starring: Nantarat Sawaddikul, Jaruchai Lamaram, Sophon Pukanok, Jenjira Pongpas, Arkanae Cherkam, Nu Nimsomboon, Sakda Kaewbuadee
Director: Apichatpong Weerasethakul
Director: Apichatpong Weerasethakul
Screenwriter: Apichatpong Weerasethakul
Producer: Apichatpong Weerasethakul, Charles de Meaux
Studio: Strand Releasing
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Reviews for Syndromes and A Century
The pic has a Buddhist aura surrounding it, leaving a warm and happy feeling with the viewer.
A quieter, shorter but scarcely less idiosyncratic specimen of Rorschach cinema than Inland Empire.
Don't watch it for plot, or character development; revel instead in its evocation of warm, wistful moods, its sly sense of humour and its fierce commitment to creating a mystical cinema far from the orthodoxies of both independent and mainstream cinema.
Don’t think of it as film. Think of it as a series of paintings that talk to each other, raptly and quietly.
Profoundly mysterious, erotic, funny, gentle, playful, utterly distinctive, it is the work of the Thai director and installation-artist Apichatpong Weerasethakul, who now has a claim to be approaching the league of Kiarostami and Haneke.
This portrait of life is all about the yin and the yang, so it follows that for everyone who finds it dull there are those who will be captivated.
Knowingly enigmatic, but more accessible than the director's previous works.
As delicate, complex and strange as any rare orchid, and as unlikely to appeal to mainstream tastes, Syndromes And A Century more than delivers on the enigma promised by its bifurcated title.
His fifth feature, Syndromes and a Century, might be [the director's] most purely intoxicating.
This gentle film with surprising dollops of humanistic humor floats by like a dream upon which we are eavesdropping.
Weerasethakul has become less and less dependent on narrative, relying instead on emotional impressions and rhythms (and even a few deadpan laughs).
[The director's] quiet sense of humor and colorful characters are endearing but the pleasures are less in the abstract story than the flow of his moods and the shades of his atmospheres.
If you allow the film to wash over you, it can be appreciated as an essay on the power of memory.
Watching Syndromes and Century is like reading a Samuel Beckett novel, only it’s slow, confusing, and bleak. Okay, so it’s like reading a Samuel Beckett novel.
The moment-to-moment textures of Syndromes and a Century are so densely real in their minimalism that they make you suspend all interpretation and simply exist in the present.
This one appears to simply be scenes set in a rural Thai hospital that were strung together at random.
The fragmented images and dialogue have the feel of a nostalgic dream - one you will either groove to or sleep through.
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