Tears of the Black Tiger (2000)
Runtime: 1 hr 53 mins
Genre: Foreign Films
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth, Sombati Medhanee
DVD Info
Release:
Apr 24, 2007
DVD Features:
- Widescreen 1.78
Audio:
- Dolby Digital 5.1 - English, Thai
- Dubbed - English - Optional
- Subtitles - English, Spanish - Optional
Additional Release Material:
- Deleted Scenes
- Featurettes - Making-of Featurette
Buy It On DVD
Reviews
If the story were as captivating as the color palette, we'd all be crying tears for the Black Tiger.
Tears of the Black Tiger ultimately works best as an exercise in cinematic style, making it not only a quirky little nostalgia trip but a noteworthy cult flick worth checking out.
Has lots of pop energy and an admirable poker-face when it comes to its Douglas Sirk-ian storyline. And even though it's essentially a Frankenstein's monster stitched together from a zillion other movies, you really haven't seen anything like it.
Tears of the Black Tiger is like a fever dream dripping with overripe romantic melodrama. Imagine Douglas Sirk directing a spaghetti western.
The movie is a riot of tropical turquoise, magenta and pink, spiced with marigold, red and green. You'd swear it was drenched in a tangy tamarind sauce
Delirious and oddball at once, it's like a plate of meringues -- delicious at first, but soon everything tastes the same, and after a while you get sick.
Camp out with Tears, a hoot, and your tent will be wet only from tears of laughter.
The movie is a long time coming, but the wait for the self-absorbed film to end seems even longer. Maybe the Black Tiger's tears are of frustration.
You've never seen and never will see anything quite like Tears of the Black Tiger.
The early scenes are interesting and enjoyable. And then the novelty wears off, but the film doesn’t end.
A garishly colored pastiche of classic Thai movie genres that draws liberally on both American and Hong Kong influences.
A parody of and winking homage to the history of Thai melodrama, Wisit Sasanatieng's uproarious filmmaking debut exuberantly combines pop and kitsch with a wholesome belief in the thrills of bad art.
... this pop-art confection both spoofs and celebrates the crazy conventions of movie melodramas and genre cinema with pure affection.
[Director] Sasanatieng engages the viewer's emotions fully in the squaring away of the eternal triangle, involving young people who emerge as three-dimensional individuals even though they are archetypal.
...more dazzling and more fun than anything else that's opened in this rapidly aging year.
The goofing begins to wear thin by the end of Tears' two hours, but even its excessive length is of a piece with the movie, which takes over-the-top to a new level of overness.
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