"When an American cracks up, he opens up the window and shoots up a bunch of strangers. When a Japanese cracks up, he closes the window and kills himself. Everything is in reverse."Not quite as wonderful as The Friends of Eddie Coyle, this is still a pretty great late Mitchum movie, and as an example of
mid-Seventies Hollywood flirting with the Far East, The Yakuza is certainly better than Peckinpah's The Killer Elite. By modern standards the film is so slow-moving it barely qualifies as a thriller, though the funereal pacing is very deliberate, emphasising the dignity of the characters, maximising the tension and making the sudden, cathartic eruptions of violence all the more startling. The whole movie is brilliantly shot and edited, not just the splendid fight scenes, with Pollack cleverly cutting through much of the script's wordy exposition by carrying the dialogue of one scene over into the next. Among the interesting credits, the script was written by Leonard and Paul Schrader, with rewrites by Robert Towne; Robert Aldrich was originally slated to direct but Mitchum had him replaced by Pollack; and Mitchum's love interest is played by Keiko Kishi, who played the 'Woman in the Snow' in Kobayashi's Kwaidan.
September 3, 2011
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