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The Tree (2011)

tomatometer

73

Average Rating: 6.2/10
Reviews Counted: 66
Fresh: 48 | Rotten: 18

Though it leans rather heavily on its central metaphor, The Tree is a moving and ultimately hopeful meditation on grief with shades of magical realism.

83

Average Rating: 6.5/10
Critic Reviews: 23
Fresh: 19 | Rotten: 4

Though it leans rather heavily on its central metaphor, The Tree is a moving and ultimately hopeful meditation on grief with shades of magical realism.

audience

53

liked it
Average Rating: 3.2/5
User Ratings: 5,120

My Rating

Movie Info

Blindsided with anguish after her husband's sudden death, Dawn (Gainsbourg)-along with her four young children-struggles to make sense of life without him. Eight-year-old Simone (unforgettable newcomer Morgana Davies) becomes convinced that her father is whispering to her through the leaves of the gargantuan fig tree that towers over their house. The family is initially comforted by its presence, but then the tree's enormous roots slowly begin to encroach on the abode and threaten their fragile

Nov 15, 2011

$69.2k

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July 14, 2011:
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All Critics (66) | Top Critics (23) | Fresh (48) | Rotten (18) | DVD (4)

It's well worth seeing the performance of young Morgana Davies as Simone, a child who becomes convinced that her late father speaks and listens to her through the comforting branches of the tree next to her house.

January 5, 2012 Full Review Source: Hollywood Reporter
Hollywood Reporter
Top Critic IconTop Critic

In the end, The Tree is something of a stretch; but it's a good stretch, a mix of mysticism and family dynamics both satisfying and intriguing.

November 4, 2011 Full Review Source: Detroit News
Detroit News
Top Critic IconTop Critic

"The Tree" might have suffered from too much symbolism if not for writer-director Julie Bertuccelli's deft touch and Gainsbourg's appealing performance.

September 2, 2011 Full Review Source: St. Louis Post-Dispatch
St. Louis Post-Dispatch
Top Critic IconTop Critic

Despite the potential for some supernatural grandiosity, the tone here remains understated and quiet, and Gainsbourg's performance feels lived-in, and deep, and right.

August 25, 2011 Full Review Source: Philadelphia Inquirer
Philadelphia Inquirer
Top Critic IconTop Critic

The arboreal metaphor is overworked as the tree's roots choke off the rural home's water supply, but the story has a winning, fable-like directness.

August 18, 2011 Full Review Source: Minneapolis Star Tribune
Minneapolis Star Tribune
Top Critic IconTop Critic

Beautifully filmed in the harsh, dry landscape, "The Tree" is often mesmerizing...

August 11, 2011 Full Review Source: Seattle Times
Seattle Times
Top Critic IconTop Critic

[The Tree is] one of the most personally striking films of the year.

October 17, 2013 Full Review Source: Onya Magazine

[It] would be much easier to write off as silly and self-serious, if it weren't so involving.

March 18, 2012 Full Review Source: Film Comment Magazine
Film Comment Magazine

Pacing problems and shallow psychological inquiries plague this film almost as much as the overworked metaphor that supplies the film's title.

September 30, 2011 Full Review Source: Austin Chronicle
Austin Chronicle

A wonderfully embraceable little film, one that is at turns honeysuckle-sweet, cherry blossom-delicate, and as comforting as the shade of a City Park oak.

August 26, 2011 Full Review Source: Times-Picayune
Times-Picayune

It's a quiet film and a quietly moving one.

August 19, 2011 Full Review Source: St. Paul Pioneer Press
St. Paul Pioneer Press

The destructive nature of the family's inability to move on from the past starts being heavily telegraphed by characters having heart-to-hearts with the tree's branches, or those same branches invading the house in calamitous ways.

August 15, 2011 Full Review Source: Scotsman

Despite its eccentric, boldly obvious central metaphor, the film feels bland and oddly inconsequential.

August 14, 2011 Full Review Source: The Stranger (Seattle, WA)

t may sound like a Stephen King horror yarn but The Tree's a meandering, mystical tale of dealing with a tragic loss.

August 7, 2011 Full Review Source: Daily Express
Daily Express

The symbolism is both crude and vague, the atmosphere dreary, and not before time there comes a tornado to solve everyone's problems.

August 7, 2011 Full Review Source: Observer [UK]
Observer [UK]

Expert at being riven, by grief, sex or just about anything else, Gainsbourg is as intense as ever.

August 5, 2011 Full Review Source: This is London
This is London

The imagery is almost unendurably self-conscious, and Gainsbourg, with her low, musical, murmuring voice, gives the kind of performance you suspect she can do standing on her head. Her final lines are irritating beyond belief.

August 4, 2011 Full Review Source: Guardian
Guardian

The characters grandstand and goof off with increasing glumness.

August 4, 2011 Full Review Source: Financial Times
Financial Times

Gainsbourg's skilful but customarily tense performance can make the whole thing a slightly brittle experience - imagine how Toni Collette might have warmed the general aura.

August 4, 2011 Full Review Source: Daily Telegraph
Daily Telegraph

Slow, overlong and short on emotion.

August 4, 2011 Full Review Source: Little White Lies
Little White Lies

Audience Reviews for The Tree

I expected a lot more from this film, just wasn't what I saw in the previews. But still an enjoyable family film from Australia. About a young girl who loses her father and she believes the sprit of her father is in a tree outside there house. Might make a film festival somewhere. Even if it does its not going to be one of the outstanding films of that festival. 3 stars
December 8, 2011
bbcfloridabound
Bruce Bruce

Super Reviewer

In "The Tree," Peter O'Neil(Aden Young) dies from a massive heart attack on the way home from work one day. His widow Dawn(Charlotte Gainsbourg) is morose and cannot even get up from bed most days, leaving the house to become a disaster area. That's okay because their 8-year old daughter Simone(Morgana Davies) communes with her father's spirit who she feels inhabits the giant tree in their yard.(By contrast, Dawn does not take to a life of crime fighting when a bat invades the kitchen one night.) Things slowly come back to life as Tim(Christian Byers), the oldest son, gets a part-time job. Dawn does, too, almost by accident while she is looking for a plumber to take care of the frogs in the toilet.

"The Tree" is a slight, if not totally insignificant, movie. What it is mostly concerned with is the role of nature and how totally unpredictable it can be, especially in the Australian outback which is photographed well.(Apparently, they don't have seasons as we know them, so occasionally we get an update on how much time has passed.) All of sorts of creatures, not intending harm, have cameos. But it is the giant tree that dominates the landscape and impacts not only the O'Neils but also the neighbors that is the biggest star of the movie. And like nature, the grieving process does not run by a specific timetable.
July 17, 2011
Harlequin68
Walter M.

Super Reviewer

** out of ****

"The Tree" is a perfect example of a movie that has all the necessary materials - an appealing set-up that promises emotional resonance and overwhelming warmth, a strong starring performance from a well-respected actor/actress, and an almost outlandish sense of care for the setting of choice. In the film's case, that setting is Australia; and the film decidedly embraces as much of the place as it can. This is a film of beautiful sights, a few genuinely stunning images, and some excellent performances all around. But it's also a film that lacks dramatic or emotional insight, and advertises itself as an art film - therefore promising abnormality - and ultimately lying by delivering normality in the worst degree. One wonders why it was made; and so well.

What we've got here is your basic grieving drama with a twist; Dawn (Charlotte Gainsbourg) must face the philosophies of life after her husband dies from a heart attack, leaving her to look after their family on the secluded farmhouse in which they have resided for years. Next to the house, there is a very large tree (a Moreton Bay Fig to be precise); and until now, it has served little a purpose aside from providing the children with an expansive and popular addition to their playground; which is essentially their backyard. However, now one of the young daughters believes that within the tree lies the soul of her dead father. In other words, she thinks that her father - through the leaves of the tree - can send her messages from his next life and have extended chats with her and anyone else willing to believe in such otherworldly existence.

Dawn is skeptical at first; but soon learns to accept that maybe - just maybe - there is a possibility for spirituality in her boring, depressing, slow-moving life. Through this new-found optimism, she embarks on a self-journey to piece her life back together and basically start anew; she falls in love with a local plumber, who also employs her, and the kids try to cope with the mixed emotions that can be either taken or received from such a thing.

That's your story; no more and no less than what I've just described. If that sounds like your idea of a solid grieving drama, then please, be my guest and give this movie a go. I didn't particularly mind it myself; it's about as melodramatic, formulaic, and uninteresting as most films of its kind that I've seen, but at the same time, not as bad as, say, half of the lot. I'll admit that it's pretty well-made on a technical scale; the filmmaking is certainly competent and there were few noticeable stylistic errors to be found (in fact, the most stylistic moments actually work pretty well). If only the story and the characters were up to par with those qualities, then damn, this would have been a hell of a drama.

This is the kind of movie where you desperately want to "feel" something, but the narrative pretensions and thematic ambitions consistently get in the way of you bringing out as much as you bring in. It's just not a movie for everyone; and as I imagine, not a movie for most people much like myself. But that's just a general assumption; and boy, I could be wrong. "The Tree" is, with all due respect, a pretty decent flick; but that's literally it. If you crave something more, then it's time to move along.

Anyways, the critics seem to like this one as a whole; I'm not the only detractor, but the reactions are slightly more positive than negative at this point. "The Tree" is pleasant and visually interesting enough to appeal to a certain crowd (the newbie art-house crowd, the drama crowd, the sappy crowd). But it failed to leave a lasting impact on me; and while I openly accept the fact that not all dramas are made equal - and therefore, not all of them really need to reach me on some complex emotional level - this one underachieves rather grossly. But hey; it's completely up to you whether you're fine with that or not. I wasn't.
December 7, 2011
Ryan M
Ryan Marshall

Super Reviewer

Metaphorical at every turn, "The Tree" is about letting go without giving up. Its languid pace worked against it initially but the storyline eventually grew into its own, with the respectfully delicate disconnects emphasizing on events that push the characters towards acceptance and resolution. Well acted, the pairing of Charlotte Gainsbourg and the young Morgana Davies is compelling to watch. The film also gets an extra boost for using The Cinematic Orchestra‚(TM)s "To Build A Home," a favourite song of mine.
July 21, 2011
chihoe

Super Reviewer

    1. Dawn: I can't remember what life was before them, and I can't imagine life with out them.
    – Submitted by Chris P (3 years ago)
    1. Dawn: We are going to miss him for as long as we live.
    – Submitted by Chris P (3 years ago)
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