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The Walker (2007)
Tomatometer
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Reviews Counted: 58
Fresh: 30
Rotten:28
Average Rating: 5.3/10
Consensus: Despite a strong performance from Woody Harrelson, The Walker can be slow and dull at times, detracting from the talented cast.
Rated: R [See Full Rating] for language, some violent material and nude images.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 7, 2007 Limited
Box Office: $43,189
Synopsis: Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody... Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody Harrelson), a charming social accessory in the Capote vein, escorting the wives of high-powered politicians to society gatherings and offering witty rejoinders at the appropriate moment. Dressed in a peacock's assortment of tailored suits, Carter attends an exclusive, trash-talking canasta game with the wilting wives of D.C. power brokers: queen bee Natalie Van Miter (Lauren Bacall), old vet Abigail Delorean (Lily Tomlin), and newcomer Lynn Lockner (Kristin Scott Thomas). It is not unimportant that Carter, the prodigal son of a famed Southern politician, is gay and living in a city controlled by a right-wing administration. Indeed, it is Washington D.C. that provides Schrader's stifling "room," a landscape where everyone has an angle, sympathies change in a heartbeat, and lives are ruined with a whisper. The film's plot is set into motion when Carter chauffeurs Lynn to a sexual rendezvous with a Washington lobbyist; she discovers him dead, perforated by stab wounds. Fearing scandal, Carter covers up for her and soon finds himself under the spotlight of an investigation. Hounded by a self-righteous, ambitious D.A., Carter begins probing the matter himself with the help of his photographer boyfriend, a decision that puts both their lives in peril. A compelling character study disguised as a thriller, THE WALKER is anchored by Harrelson's brilliant and nuanced performance of the superficial (but exactly how superficial?) Carter Page III, and the perfect casting of Bacall and Tomlin as career wives. Though eminently watchable for its twists and turns, the film's more lasting impression is its intriguing tapestry of insular, double lives. [More]
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt, Lily Tomlin, Willem Dafoe
Director: Paul Schrader
Director: Paul Schrader
Screenwriter: Paul Schrader
Producer: Deepak Nayar
Composer: Anne Dudley
Studio: ThinkFilm
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Reviews for The Walker
Page is a great character in search of a movie, and "The Walker" doesn't provide it.
Wittily entertaining stuff, with the cast clearly relishing their snarky dialogue. Plus, the backdrop of political double dealing, with references to Whitewater and other D.C. shenanigans, adds an extra element of interest.
Paul Schrader directs The Walker, and the writer has a way with understatement. Like his 1992 gem Light Sleeper, this movie draws you in with its reserve.
Written and directed with elegant finesse by Paul Schrader, the film is a character study wrapped in a story of political and corporate misconduct.
If Schrader was willing to enliven the pace, The Walker would easily become a riveting thriller, but the situation gets resolved with too much ease.
Though hardly a revelatory journey, it's a stroll that offers some modest pleasures along the way.
There is good writing here, and Thomas is very good as always, but the movie works because of Harrelson's performance.
It's vaguely interesting, but vagueness isn't a big turn-on for most audiences. You keep wishing The Walker would break into an extended run in some direction. But instead it merely meanders.
This is no masterpiece, but a fine-tuned little thriller packed with meticulously chosen details of character and place.
The film feels long and slow, and the subject matter familiar. We never quite get caught up in it, despite the appealing cast; a thriller directed at a snail's pace simply isn't very thrilling.
The rattling whispers of political critique come off as fledgling efforts to give the film an importance above what it is
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December 14, 2007:
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