It is the war within him--and by extension, within the minds of many embittered, working class young men left behind in Thatcher's England--that Meadows's film most strikingly portrays.
This Is England (2007)
Tomatometer
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Reviews Counted:84
Fresh:78
Rotten:6
Average Rating:7.7/10
Consensus: A moving coming-of-age tale that captures the despair among England's working-class youth in the 1980s.
Theatrical Release:Jul 25, 2007 Limited
Box Office: $95,849
Synopsis: Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the... Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the controversial Falklands War. Twelve-year-old Shaun (Thomas Turgoose) is a tough little kid who is street-smart beyond his years despite being short for his age. He falls in with a group of older boys, led by Woody (Joe Gilgun), who hang out at a local coffee shop, like to commit minor acts of anarchy, and adopt Shaun as one of their own--especially Smell (Rosamund Hanson), an overly made-up teenager who dresses like Boy George and develops a cute romantic interest in the complicated boy. But when skinhead Combo (SNATCH's Stephen Graham) gets out of jail, he returns to the gang, eager to take over the reins and lead them on a nationalistic battle to get rid of the immigrants who are stealing their jobs and to defend England to the death. Shaun, whose father died in the Falklands, must choose between staying with Woody and his friends or joining Combo on his violent quest to protect the homeland. Turgoose, in his acting debut, is an absolute revelation in the extremely demanding, challenging role of Shaun. Graham is excellent as Combo, keeping the audience on the edge of their seats, never knowing what he is going to do next, waiting for him to simply explode. Meadows (TWENTYFOURSEVEN, DEAD MAN'S SHOES) paces the film brilliantly, and uses a terrific soundtrack that ranges from Percy Sledge and Toots & the Maytals to UK Subs and Culture Club, from Dexy's Midnight Runners and Soft Cell to the Smiths and the Specials, capturing the uneasy times in Thatcherite England. Don't miss the beginning, which features a thrilling montage that sets the mood perfectly. [More]
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure, Jack O'Connell, Kieran Hardcastle, Andrew Ellis, Andrew Shim, Thomas Turgoose
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Shane Meadows
Producer: Mark Herbert
Composer: Ludovico Einaudi
Studio: IFC Films
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Reviews for This Is England
Steeped in the raw mix of ska and punk sound as expression of the youth alienation and misguided rage of those tumultuous times, an alarming voice of the surging army of jobless youth back then dubbed 'no hopers.'
Stephen Graham delivers a bravura performance as the brooding, mesmerizing Combo, clearly channeling Russell Crowe in Romper Stomper.
Meadows obviously knows the working class neighborhoods that he depicts. There's a grit and honesty to his film as he chronicles the mundane details of these kids' lives.
How sad and predictable is the fate of those who counsel violence as a means to an end. And yet how poignant it all seems when viewed through Shane Meadows' thoughtful lens.
An intelligent, spare, mean-streets sort of story, This Is England features superb performances...
You wouldn't think a film about a group of British skinheads during the early 1980s could be a sweet, nostalgic coming-of-age period piece, but that's the surprise of the authentic, fresh and utterly relevant This Is England.
Its tough but moving neo-realist approach make it one of the better British films of recent times.
This Is England grabs you by the scruff of the neck and yanks you into the Thatcher 1980s with brute force.
A post-punk gem of a drama that seems bent on being both funny and deadly serious.
This is not the England that makes you want to hop on over for a visit, but the movie is worthy of a quick look.
[Meadows] captures the palpable anger of impoverished youth, without money or jobs or hope, seeking to blame somebody else for their troubles.
[Shane] Meadows' fictionalized version of these events is at least as vivid -- and at times as hard to watch -- as some of Ken Loach's more stark dramas.
It may be the best work to date from the talented 34-year-old writer-director of Twenty Four Seven (1997).
A drama that's so potent and persuasive yet also natural and intimate that it almost has the heft of a documentary.
Somewhere between the pop jouissance of Guy Ritchie and the social realism of Ken Loach, this ballsy drama freeze-frames bleak Thatcherite Yorkshire and exposes its racist underbelly.
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July 23, 2007:
Steeped in the raw mix of ska and punk musical sound as expression of the youth alienation and misguided rage of those tumultuous times, an alarming voice of the surging army of jobless youth back then dubbed 'no hopers.' ![]()
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