Is it art? Not remotely. But, up to the final scenes, it’s a tremendous piece of engineering. And the hurtling force of Vantage Point is fun to watch.
Vantage Point (2008)
Tomatometer
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Reviews Counted:28
Fresh:7
Rotten:21
Average Rating:4.8/10
Consensus: Vantage Point has an interesting premise that is completely undermined by fractured storytelling and wooden performances.
Rated: PG-13 [See Full Rating] for sequences of intense violence and action, some disturbing images and brief strong language.
Runtime: 90 mins
Genre: Action/Adventure
Theatrical Release:Feb 22, 2008 Wide
Box Office: $72,266,306
Synopsis: A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much... A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much of the film was actually shot in Mexico), to announce plans for a major global summit on terrorism. But as he stands behind the podium in front of an adoring crowd (with protesters blocked off from the stage), he is shot twice, followed shortly by a small explosion and then a massive blast. Secret Service Agents Barnes (Dennis Quaid), Taylor (Matthew Fox), and Holden (Richard T. Jones) immediately jump into action, trying to find the terrorists responsible amid all the chaos. The thriller first shows the events through the eyes of television news producer Rex Brooks (Sigourney Weaver), and then the film rewinds, replaying the action from a different point of view. Each perspective reveals a few more clues, then rewinds again, taking the audience through the assassination attempt and its aftermath again. VANTAGE POINT has the feel of the 1950 Akira Kurosawa classic RASHOMON, told with the speed of the television show 24. The all-star cast also includes Forest Whitaker, who gives another fine performance, playing an American tourist recording everything on his video camera. The rewind device--reminiscent of the Bill Murray comedy GROUNDHOG DAY--could have been gimmicky, but instead Travis and first-time screenwriter Barry L. Levy make it work, as more details are revealed with each flashback, leading to a pulse-pounding chase and surprising finale. [More]
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver, William Hurt, Zoe Saldana
Director: Pete Travis
Director: Pete Travis
Screenwriter: Barry L. Levy
Producer: Neal H. Moritz
Composer: Atli Orvarsson
Studio: Sony Pictures Entertainment
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Release:
Jul 1, 2008
Reviews for Vantage Point
While the title, trailer and commercials imply that we'll be carefully piecing together clues to a complex assassination attempt as seen from several perspectives, the final product turns out to be a tepid thriller that promises more than it delivers.
Vantage Point is a thriller that has quite a lot on its mind. The very structure of the movie challenges the audience’s patience, if not its wit.
When everything is finally revealed, the story Vantage Point tells is fairly pedestrian, and nothing special is gained from all the stopping and restarting.
Chugging forward and chundering back, the movie keeps promising to whip up something hellishly complicated, but what keeps the movie going for an hour and a half is not a complicated plot but a stingy way of dribbling out information.
Initially intriguing and energetic, this film ends up demonstrating that a good script needs to be more than a clever concept and fine direction must be more than moving things fast.
A nice, straightforward, good old-fashioned geopolitical conspiracy thriller with no pretentions.
The problem with Vantage Point is that the rapid-rewind technique keeps interfering with the thriller's momentum.
You can watch a Bugs Bunny cartoon from 10 different angles, and it's still a Bugs Bunny cartoon. Vantage Point is a Bugs Bunny cartoon.
Vantage Point makes nice use of the heft of Dennis Quaid, Forest Whitaker, William Hurt and Sigourney Weaver in a story in which an assassination followed by an explosion gets revisited from eight points of view.
Reduces global terrorism to a Rubik's Cube suitable for an evening's entertainment. If that doesn't make you vaguely ill, by all means take this thriller for the shallow, gimmicky "ride" it aspires to be.
What is the real crime? Why, beating the audience about the ears, eyes and brain with essentially the same sequence of events from eight characters' points of view, none of which adds much more than deafening hysteria and identically dreadful music.
Straight out of the slice-and-dice school of filmmaking, Vantage Point fractures chronology and perspective in a vain attempt to disguise its flimsiness.
A 23-minute movie dragged out, via some narrative gimmickry, to a punishing hour and a half.
The information sorting and gathering required by Barry L. Levy's screenplay feels like night school as opposed to a great night out at the movies.
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