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The Way We Laughed (2001)
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Reviews Counted: 21
Fresh: 18
Rotten:3
Average Rating: 7/10
Theatrical Release:Nov 21, 2001 Limited
Synopsis: A working class illiterate, Giovanni (Enrico Lo Verso), takes in his younger brother Pietro (Francesco Giuffrida). Sicilians displaced in late 1950s Turin, Italy, they struggle to get by with... A working class illiterate, Giovanni (Enrico Lo Verso), takes in his younger brother Pietro (Francesco Giuffrida). Sicilians displaced in late 1950s Turin, Italy, they struggle to get by with Giovanni working odd jobs while he pressures Pietro to keep with his studies. An economic shift in Italy sends the two brothers along decidedly different paths. The moralistic Giovanni finds himself profiting from the boom through ill-gotten gains while the irresponsible Pietro sticks with his schooling and becomes a respected teacher. Their roles now completely reversed, Pietro proves himself a responsible adult by covering for the corrupt actions of his brother. Writer-director Gianni Amelio (L'AMERICA) presents this six-part saga about the economic influence on family roles and values. Each part is titled with a one-word theme such as "Blood" or "Money." These sections comprise one day in each of the story's six years, using subtleties of character and plot to relate the account of the two brothers. A work rich in emotion, THE WAY WE LAUGHED deftly weaves the tales of individuals, family, and a nation into one cohesive narrative. [More]
Starring: Enrico Lo Verso, Francesco Giuffrida, Fabrizio Gifuni, Rosaria Danze
Starring: Enrico Lo Verso, Francesco Giuffrida, Fabrizio Gifuni, Rosaria Danze, Claudio Contartarse, Domenico Raguso, Simonetta Benozzo, Pietro Paglietti, Paolo Sena, Corrado Borsa
Director: Gianni Amelio
Director: Gianni Amelio
Screenwriter: Gianni Amelio
Producer: Vittorio Cecchi Gori, Rita Cecchi Gori
Studio: New Yorker Films
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Reviews for The Way We Laughed
It's a damn impressive trick to build a film around narrative frustration and not cause your audience to run out screaming.
To watch Gianni Amelio's luminous The Way We Laughed is to reconnect with Italian cinema in all its richness of emotion and command of expressive gesture.
A haunting, richly textured film that, like the Italian director's unforgettable Lamerica, dramatizes the plight of poverty on an epic scale.
An unusual, tremendously moving film that nicely assumes we can read between the pictures.
Amelio ... understands the loneliness, suspicion and uncertainty that plague immigrants in a land where they can't get familiar work or speak a familiar tongue.
This is the kind of European film you rarely see anymore, with characters and circumstances that are easily debatable. Two viewers may never reach the same conclusion about the film.
Beautifully made and performed, this is a film of considerable insight into both the life of the impoverished and the mystery of human personality.
The absorbing tale, in the rich dialect of Southern Italy (and not in standard Italian), is ... well-written and acted.
The making of this picture is so sure that hope for Amelio, for his future, is almost forced on us.
More frustrating than gripping thanks to the fractured, often confusing narrative and the director's pro-pensity for extremely long takes.
It's hard to argue with the stunning lead performances by Enrico Lo Verso and Francesco Giuffrida.
All perspective on the characters and situations are dissolved, leaving the audience with little more than some lovely photography to enjoy.
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