Average Rating: 6.6/10
Reviews Counted: 49
Fresh: 35 | Rotten: 14
No consensus yet.
Average Rating: 6.7/10
Critic Reviews: 12
Fresh: 8 | Rotten: 4
No consensus yet.
Average Rating: 3.5/5
User Ratings: 8,762
Literary genius, legendary wit, bon vivant, and gay martyr, Oscar Wilde was a man whose legend has grown to iconic proportions since his death at the beginning of the 20th century. Establishing Wilde (Stephen Fry) as a loving family man, complete with a wife (Jennifer Ehle) and two adorable sons, the film takes pains to portray him as a dignified genius who was as pained by what he considered his own sin -- his homosexuality -- as he was delighted by the sins of others. From his initial
May 1, 1998 Wide
Mar 19, 2002
Sony Pictures Classics
Watch It Now
A tony biopic that manages to combine an upfront portrayal of the scribe's gayness with an often moving examination of his broader emotions and artistic ideals.
If anybody was born to play Oscar Wilde, it must have been Stephen Fry: not only does he look like the Green Carnation Man, but he himself is often portrayed as being too clever, too complex for his own good.
Likely to remain the definitive screen treatment of Oscar Wilde for years to come.
The closest thing the movie has to a point of view is a tendentious and mystifying voice-over, in which Fry reads excerpts from Wilde's fairy tale about a selfish giant who banishes his children from his garden.
Mr. Fry's warmly sympathetic performance finds the gentleness beneath the wit. He conveys the sense of a man at the mercy of forces he cannot control, not least of them his own brittle genius.
Stephen Fry brings a depth and gentleness to the role that says what can be said about Oscar Wilde: that he was a funny and gifted idealist in a society that valued hypocrisy above honesty.
Stephen Fry is extraordinary as Oscar Wilde, but the movie lacks balance and finesse and comes across as a TV movie of the week.
Stephen Fry captures Wilde completely.
There's never been a better story about the misadventures of one of the world's greatest writer. Fry should have been Oscar nominated, and Law is equally electrifying.
Julian Mitchell's script freely doles out all kinds of pithy, self-conscious bon mots among its cast, but doesn't bother to flesh out convincingly the emotional conflicts and dramas in which the characters find themselves.
Fry is great, though the film struggles to make a lasting impression.
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May 10, 2005:Wachowskis Tap Weaving for "Vendetta"
James Purefoy is out and Hugo Weaving is in, according to Variety. The movie in question is "V...
- Oscar Wilde (DE)