The X-Files 2: I Want to Believe isn't a groundbreaking film by any stretch %u2014 but that it challenges the viewer to consider certain moral imperatives in a season devoted to films revolving around explosions and fart jokes makes it a daring pie
The X-Files: I Want to Believe (2008)
Rated: PG-13 [See Full Rating] for violent and disturbing content and thematic material
Runtime: 1 hr 44 mins
Theatrical Release: Jul 25, 2008 Wide
Box Office: $20,504,740
Synopsis: THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and Gillian Anderson under the direction of series creator Chris Carter, who co-wrote the... THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and Gillian Anderson under the direction of series creator Chris Carter, who co-wrote the screenplay with Frank Spotnitz. In grand The X-Files tradition, the film's storyline is being kept under wraps, known only to top studio brass and the project's principal actors and filmmakers. This much can be revealed: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes, and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth, and Scully, the passionate, ferociously intelligent physician, remains inextricably tied to Mulder's pursuits. Months after shooting had wrapped, Carter remained as circumspect about the story as he was during its development and production. "Mulder and Scully are drawn back into the world of the X-Files by a case," is all he'll add about the plot. Perhaps more clues...to something....can be found in the film's title. "I Want to Believe" is a familiar phrase for fans of the series; it was the slogan on a poster that Mulder had hanging in his office at the FBI. "It's a natural title," says Chris Carter. "It's a story that involves the difficulties in mediating faith and science. It really does suggest Mulder's struggle with his faith." Carter is much more revealing about his goals for the film. "Simply put, we want to scare the pants off of everyone in the audience," he says. While the scale and scope inherent in the medium of film allowed the filmmakers to take the story and characters where the show couldn't go, Carter says THE X-FILES: I WANT TO BELIEVE also marks a return to the series' roots, when it was the lone beacon on television for fans of thrillers, supernatural tales, and of horror stories. "The film encompasses all the best things people loved about the show. It's scary, creepy, and has a good mystery. With The X-Files, we often scared people by what they didn't show, and we use that device for the movie." Adds writer-producer Frank Spotnitz: "I think the best part of The X-Files was that it could make you afraid of anything. They didn't tell typical horror stories or adhere to popular genre conventions. And this movie is in that tradition of showing things that you would not see in most scary movies." Unlike the first The X-Files motion picture, released in 1998, Carter and Spotnitz's story for THE X-FILES: I WANT TO BELIEVE does not require audiences to understand the series' complex mythology that stretched across its nine seasons on the air. "The first movie was kind of an epic episode of the show, but THE X-FILES: I WANT TO BELIEVE is a real, stand-alone movie," explains Carter. "If the show hadn't existed, this is a story that still would have found its way to the big screen." --© 20th Century Fox [More]
Genre: Science-Fiction/Fantasy
Starring: David Duchovny, Gillian Anderson, Amanda Peet, Xzibit, Billy Connolly
Screenwriter: Chris Carter, Frank Spotnitz
Producer: Chris Carter, Frank Spotnitz
Composer: Mark Snow
Reviews
If you are going to go back to the 90s for source material, it had better come juiced with some modern day action.
Carter has with The X-Files: I Want to Believe created a mediocre mystery that relies too frequently on coincidence and screenwriting convenience to elicit genuine interest, much less "belief" in its twists and turns.
There's a very strong spiritual underside to The X-Files: I Want to Believe. It gives the story a lot of emotional weight, while also making the creepy stuff that much more disturbing.
Mulder and Scully are finally back on the case, but after six years apart, they could use a little platitude adjustment.
It's like an especially gloomy episode of the series, stretched a bit too long. And we miss the ad breaks.
This is essentially just a bog-standard (if slightly gruesome) thriller, but it's a treat to see Anderson and Duchovny together again and fans of the show won't be disappointed.
The best thrillers dig deeper than this one does, as did the best of The X Files on TV before the series ran out of steam.
There seems to be several scenes missing from the final cut - all the ones that make sense.
The movie works as a decent enough thriller, but lacks some of the X factor of the original series.
As the famous theme tune is whistled over the opening credits, listen carefully and you may hear the gentle chime of ringing tills as Mulder and Scully return for a pointless cash-in on the TV series.
This is less a case of The X Files and more like The Y Bother Files. Dull, dull, dull. Avoid.
Slow, laborious and ponderous without ever earning the right to be, I Want To Believe is a mis-fire that threatens the franchise’s very existence. The only mystery here is, what went wrong?
I Want to Believe is too little, too late: a timid stab at reviving 1990s terror tropes in an age when the fuzzy fear of sci-fi has been replaced by darker and more real stories narrated by al-Qa'eda and CIA Black Ops teams.
Even the most devout X-Files fan may have their faith tested by this snoozy addition to the franchise, which glides into cinemas with all the urgency of a Dalek with a flat battery.
The X-Files isn’t eye-bleedingly terrible. It’s just not very good; it’s an average episode of the TV series stretched to feature length.
This is the dullest, most incompetently assembled thriller of the summer... and remember, I've seen The Happening.
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Around the Network
The X-Files: I Want to Believe at IGN
The X-Files: I Want to Believe at AskMen
