Critic Consensus: No consensus yet.
In this film, a samurai warrior is recruited by both sides of a village divided by warfare. He is tempted to go with the side that offers the most money until he learns he is to be killed after his services have been rendered.
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as Sanjuro Kuwabatake
as Gonji the Sake Selle...
as Coffin Maker
as Kohei the Farmer
as Farmer's Son
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Critic Reviews for Yojimbo
Action-packed, highly comic 1961 translation of Dashiell Hammett's Red Harvest.
If the plot sounds familiar, it's probably because Leone stole it for A Fistful of Dollars.
Even Eastwood's Man With No Name is inspired, perhaps, by the samurai in Yojimbo.
Despite the sometime appearance of the whole thing as a forthright travesty, it does have stretches of excitement and cinematic power.
Audience Reviews for Yojimbo
Akira Kurosawa helms this phenomenal action drama that elevates the genre of Samurai films even further. His style is unique, one that evokes a strong sense of grand storytelling, which was the case with Seven Samurai. Yojimbo is a great film, one that boasts an impressive cast of actors, a good script, and well paced, thought out scenes that make this film standout. I much preferred Seven Samurai to this film, nonetheless, it's a good film, one that should be seen by fans of the director, and if you enjoy these films, then you ought to check this one out. The film is very well acted and directed, as well as it helped influence many films that would try to duplicate it, but never quite match it. This is a well crafted picture, one that ranks among the finest genre films ever made, and the way it's shot, with its simple story and its acting really ring through. This is a phenomenal film, and definitely one of Akira Kurosawa's best films. The film works well on many levels, and if you enjoy a well constructed story, with plenty of action, thrills and memorable scenes, Yojimbo is such a picture worth seeing. This is a genre classic, one that ranks among the finest samurai films ever made, and it's an expertly crafted picture that has a unique directorial touch that Akira Kurosawa could provide. His filmmaking is wonderful, and gets most out of the scenes because of the cinematography, which is always one of the highpoint of his pictures. Add to that a great sense of storytelling, and you a film that is both grand and memorable, as well as furthering the art of terrific Samurai movies to the big screen. If you've enjoyed Seven Samurai, you're sure to enjoy this powerful piece of cinema, and it's a picture that has a standout legacy, which influenced countless other filmmakers, some of the finest directors to create their own slice of cinematic history. Yojimbo is great for what it is, but it's not as epic in scope as Seven Samurai, which is hard to beat. Nonetheless, Yojimbo is a solid film well worth seeing.
A hugely influential and masterfully constructed samurai tale with Western undertones concerning an impoverished roamer (Toshiro Mifune) who comes to a small Japanese town ruled by two evil gangs who threaten to tear it apart. Instead of taking one side over the other, the drifter elects to in turn attempt to manipulate each group into destroying each other, although this proves not to be a plan without flaws, including a nearly fatal lesson in pride going before the fall. Mifune is absolutely phenomenal, as he effortlessly portrays a character that is committed to accomplishing what the common good is for everyone. The themes of power, pride, redemption, and equality are ones that prove to be utterly arresting thanks to the wonderful direction from legendary filmmaker Akira Kurosawa. Mostly, this is a simple movie that does not try to be anything more than it is, but ultimately, thanks as well to a thrilling finale, this is a masterpiece.
A superbly shot black comedy that truly showcases the strengths of Kurosawa and his lead Mifune. It is also a scathing indictment on capitalism that Leone's remake "A Fistful of Dollars" doesn't touch on as well. In this town, lawlessness seems to be the only law of the land as rival factions seek to control the local market and human relations have evolved into a series of business exchanges.
Also, in this world, Mifune's character Sanjuro is a ronin who lacks a real reason for taking part in battle. Rather, Sanjuro at first seems to exploit each faction for his own gain and pits them against each other out of boredom. Later, it seems that Sanjuro becomes a sort of surrogate for Kurosawa who has created world in he has wiped out the greedy merchants and reversed the course of history.
It is an interesting outlook on the world of the early 1960's which is made all the more powerful by Kurosawa's brilliant camera work. There are some exquisite shots that really make use of the wide screen format. He also employs some very tight close ups that must have been very influential on Leone.
All in all, another example of why Kurosawa was indeed way ahead of his time.
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