Beat Takeshi Kitano directs and plays the title role in this tribute to the wildly popular "blind swordsman" of Japanese cinema who was the hero of more than 20 movies and a television series from the early '60s to the late '80s. In Kitano's version, Zatôichi wanders into a town harassed by criminal gangs, and helps two geishas take revenge on the men who murdered their parents. His mission leads him to a final, bloody confrontation with the gang's mastermind and his hired assassin (Tadanobu
Asano), a swordsman with a reputation as lethal as Zatôichi. ~ Tom Vick, Rovi
Violent and bloody, carefully choreographed and filled with dry humor, Takeshi Kitano's modern take on the classic Japanese character is a unique vision that's told with confidence.
Three-frame cuts of the action from multiple camera angles, hose-spurted blood and superimposed wounds do what they can in their primitive way to get you past the problem of improbability.
Seen now, sans all the hype and hoopla)...we can gauge Kitano's production for what it truly is - a compelling and quite complex bit of fractured folklore.
However improbably, Kitano pulls it off quite gloriously. Admittedly, this isn't one of his most idiosyncratic, innovative or, indeed, satisfying works, but it's without doubt fast, funny, fabulous to behold.
'Beat' Takeshi Kitano made his name as a standup comedian before entering into cinema with a surprising array of serious and very violent roles. Here he tries to recapture the successful character who was a popular figure in Japanese film & television throughout the 1960's to the 1980's. Nineteenth-century blind nomad
known as a gambler and masseur is also a lightning-fast master swordsman who stumbles into a town run by gangs and a powerful samurai. When he meets two geishas who are out to avenge their parents' murder, the fireworks begin. I've never seen the very successful series of films or television program of which this is based upon, so i'm not in a position to compare but it doesn't hinder the enjoyment of this visceral yet playful bloodfest. Kitano stages the whole yarn in a very theatrical style, with extremely exagerrated bloodletting, combined with an excellent soundtrack to fit with the rythmic moments and movements from the characters, like workers plowing the fields or rain pattering off an umbrella. It's beautifully shot and really captures the ingriguing Japanese culture with several stunning shots. As much as I admire the almost mystical and stoic tradition of the Japanese, I'm not the biggest Samurai fan, so the whole thing worked for me only to a certain degree. However, if your a fan of swordplay, then this will be right up your kimono. There's no denying the visual style throughout this serene yet kinetic bloodbath. It's like an eastern spaghetti western, but if your not interested in the genre then harikari may be a better option for you.
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