| |
|
|
|
|
|
|
|
|
 |
|
| |
|
|
A Scanner Darkly (2006) |
|
"Bland reality becomes abstract: a visual representation of the way the movie's Substance D addicts observe their surroundings and themselves." | |
Mark Palermo | |
|
|
|
| |
|
|
A.I. Artificial Intelligence (2001) |
|
"The most densely layered science fiction film in years: a visionary bedtime story for adults." | |
Mark Palermo | |
|
|
|
| |
|
|
Abandon (2002) |
|
"Abandon’s tsunami of conflicting tones -- it’s quirky but humourless, studied but predictable -- frequently make it feel much stronger than it actually is." | |
Mark Palermo | |
|
|
|
| |
|
|
About a Boy (2002) |
|
"About A Boy is so smart in execution and tone that its abhorrent subject matter becomes irrelevant." | |
Mark Palermo | |
|
|
|
| |
|
|
About Schmidt (2002) |
|
"Director Alexander Payne and co-writer Jim Taylor steer through the material’s inherent trickiness by making it funny without reducing it to an insensitive freak show." | |
Mark Palermo | |
|
|
|
| |
|
|
Accepted (2006) |
|
"Though keeping worthwhile targets - like professors who want to see their most creative students fail - director Steve Pink lets his punk inspiration slide into standard school rivalries and unrelated slapstick." | |
Mark Palermo | |
|
|
|
| |
|
|
Adam Sandler's Eight Crazy Nights (2002) |
|
"An earnest Scrooge story with a heart covered in excrement." | |
Mark Palermo | |
|
|
|
| |
|
|
Adaptation (2002) |
|
"It’s an often hilarious endeavor that’s bizarre without reeking of calculated preciousness." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
The Adventures of Baron Munchausen (1988) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
The Adventures of Pluto Nash (2002) |
|
"Never achieving comedic, satiric, or adventure serial heights, Pluto Nash has nowhere to go, and it doesn’t even care." | |
Mark Palermo | |
|
|
|
| |
|
|
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
|
"Rodriguez assures that even this minor film can be overflowing with invention and comedic alertness." | |
Mark Palermo | |
|
|
|
| |
|
|
Aeon Flux (2005) |
|
"Weird pop-art becomes routine." | |
Mark Palermo | |
|
|
|
| |
5/5 |
|
Aguirre, the Wrath of God (1973) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
2/5 |
|
Airheads (1994) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
Akeelah and the Bee (2006) |
|
"It's the kind of assured work that should be a filmmaker's breakthrough, but is so good-natured it's at risk of going unrecognized." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Akira (1988) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Aladdin (1992) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
The Alamo (2004) |
|
"When it feels like its winding to a close, [director] Hancock inserts a five minute scene of Dennis Quaid shaving, and then the movie goes on for another 20 minutes." | |
Mark Palermo | |
|
|
|
| |
|
|
Alexander (2004) |
|
"Alexander is an Oliver Stone movie first and an historical/action epic second." | |
Mark Palermo | |
|
|
|
| |
|
|
Alfie (2004) |
|
"Alfie talks into the camera like Ferris Bueller, hoping the viewer is petty enough to relate to his narcissism." | |
Mark Palermo | |
|
|
|
| |
|
|
Ali (2001) |
|
"A clothesline rundown of Muhammed Ali's life...so preoccupied with realism, it neglects to have a thesis." | |
Mark Palermo | |
|
|
|
| |
|
|
Alien vs. Predator (2004) |
|
"It’s marketing savvy that says making a movie people feel they have to see is reason to not bother making one people will want to see." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Aliens (1986) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
All of Me (1990) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
3/5 |
|
All Over Me (1997) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
Alone in the Dark (2005) |
|
"Little of Alone in the Dark makes Earthly sense, but it at least knows how to be bad in original ways." | |
Mark Palermo | |
|
|
|
| |
|
|
Along Came Polly (2004) |
|
"By not making up for its generic redundancies with inspired lunacy, the whole thing just plays like Farrely Brothers lite." | |
Mark Palermo | |
|
|
|
| |
|
|
Alpha Dog (2007) |
|
"What Cassavetes gets right is how young bravado - not machismo, but extending to boys and girls - often wards off feeling by fetishizing heartlessness." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Always (1989) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Amadeus (1984) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
Amazing Grace (2007) |
|
"Amazing Grace's examination of men in power moved to change risks ridicule and righteousness for a smart take on history." | |
Mark Palermo | |
|
|
|
| |
|
|
Amelie (2001) |
|
"Amelie is both brave and wise enough to consider happiness an emotion worthy of artistic taste." | |
Mark Palermo | |
|
|
|
| |
|
|
American Dreamz (2006) |
|
"Writer/director Chris Weitz almost makes a good movie about how the public's 21st century media influence means everybody believes they're entitled to die famous, but he steps short of getting anywhere." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
American Experience - The Battle Over Citizen Kane (1995) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
5/5 |
|
American Graffiti (1973) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
An American in Paris (1951) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
American Splendor (2003) |
|
"The movie’s sober-minded empathy doesn’t stoop to the hipster crutch of ridiculing or revering Pekar’s everyman existence." | |
Mark Palermo | |
|
|
|
| |
|
|
The Amityville Horror (2005) |
|
"Unsuccessful but watchable, it's redeemed by occasionally reaching past mediocrity." | |
Mark Palermo | |
|
|
|
| |
2/5 |
|
Amongst Friends (1993) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
Anacondas: The Hunt for the Blood Orchid (2004) |
|
"Due to the film, one has peace of mind in learning that if a companion is swallowed by an anaconda, its digestive process takes so long that it won’t eat you too soon." | |
Mark Palermo | |
|
|
|
| |
|
|
Anchorman: The Legend of Ron Burgundy (2004) |
|
"Generally funny, but for the first half hour it’s hilarious." | |
Mark Palermo | |
|
|
|
| |
|
|
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
|
"If you can get on its dank and heavy wavelength, the whole project is so aesthetically rich that it manages to transcend that it’s, at heart, a lot of dressed-up goofiness." | |
Mark Palermo | |
|
|
|
| |
4/5 |
|
Annie Hall (1977) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
2/5 |
|
Another 48 Hrs. (1990) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
2/5 |
|
Another Day in Paradise (1998) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
The Ant Bully (2006) |
|
"What wants to be fast paced and exciting ends up a chaotic, screechy thing." | |
Mark Palermo | |
|
|
|
| |
|
|
Antwone Fisher (2002) |
|
"It doesn’t amount to a whole lot, but it's frequently moving and reasonably well made." | |
Mark Palermo | |
|
|
|
| |
|
|
Apocalypto (2006) |
|
"Barely a good movie, in its visionary fury it becomes a great one." | |
Mark Palermo | |
|
|
|
| |
3/5 |
|
Arachnophobia (1990) |
|
No article available. | |
Mark Palermo | |
|
|
|
| |
|
|
Are We Done Yet? (2007) |
|
"The slapstick isn't sadistic. But that doesn't make this sequel's propensity of scenes where animals attack Nick, and moments where he learns the difference between a house and a home, more than inoffensive." | |
Mark Palermo | |
|
RT Loves Jenna
IGN RSS Feeds
