|
89%
|
In America (2003)
|
|
Ned Depew
|
|
83%
|
Avatar (2009)
|
"Who wouldn't want to be Na'vi, with their lithe, slim bodies, their grace, their unfailing marksmanship, their long braids that literally mind-meld with other creatures and the spirits of their ancestors, their abs and buns of steel, their cheekbones so h"
|
Jill Cozzi
|
|
74%
|
Sunshine (2007)
|
"Like the films it grandly and unabashedly pays homage to, Sunshine is serious science fiction for those who prefer to think of space's real possibilities rather than escape into fantasy."
|
Gabriel Shanks
|
|
94%
|
Three Kings (1999)
|
"With characters you can root for and a story that is both engaging and honest, Three Kings goes for the gold and comes out a winner."
|
Gabriel Shanks
|
|
83%
|
Grindhouse (2007)
|
"As a glimpse into the minds of two iconoclastic directors -- both of whom came of age watching the films they now pay homage to -- this retro-electric trip is sheer bliss."
|
Gabriel Shanks
|
|
66%
|
Miss Potter (2007)
|
"A perky style reminiscent of second-rate Jane Austen....a parable of female empowerment and class strife swathed in bustles and British witticisms."
|
Gabriel Shanks
|
|
56%
|
Keeping Mum (2006)
|
"Maggie Smith is like Mary Poppins...with a meat ax. Serial Grandmom strikes again."
|
Martin Scribbs
|
|
25%
|
The Da Vinci Code (2006)
|
"There is a natural limit as to how deeply any film, but especially a would-be summer blockbuster, can dig into radical ideas of faith and history. To his credit, Ron Howard hits that limit."
|
Martin Scribbs
|
|
44%
|
Casanova (2005)
|
|
Jill Cozzi and Gabriel Shanks
|
|
87%
|
Brokeback Mountain (2005)
|
"The Marlboro Man has reawakened as an archetype fully realized, brimming with ambivalence and complexity."
|
Gabriel Shanks
|
|
92%
|
Gabriel Over the White House (1933)
|
"Gabriel Over the White House encourages its viewers to live the fantasy of the philosopher-king, but never counts the costs of such a regime."
|
Martin Scribbs
|
|
65%
|
Guess Who's Coming to Dinner (1967)
|
"If you guessed, 'a wheezy social problem drama,' you're right."
|
Martin Scribbs
|
|
76%
|
Transamerica (2006)
|
"Issues of gender differrence are employed only to reinforce less original dilemmas -- family dysfunction, dating woes and (eek) meeting the grandparents."
|
Gabriel Shanks
|
|
50%
|
The Dying Gaul (2005)
|
"Rarely has a film exposed the tender, brutal line between love and cruelty so magnificently."
|
Gabriel Shanks
|
|
89%
|
Paradise Now (2005)
|
"Essential cinema not because it answers questions about terrorist ideology, but because it discovers those questions are disturbingly similar to those about ourselves."
|
Gabriel Shanks
|
|
84%
|
Mysterious Skin (2005)
|
"A raw and unadorned look at child abuse and its idiosyncratic repercussions."
|
Gabriel Shanks
|
|
57%
|
Breakfast on Pluto (2005)
|
"Effortlessly nailing coquettish mannerisms and employing a hilarious come-hither vocal quality, Murphy is magnetizing, fascinating, and eminently likeable."
|
Gabriel Shanks
|
|
93%
|
Good Night, And Good Luck (2005)
|
|
Ned Depew
|
|
——
|
Last of the First ()
|
|
Jill Cozzi
|
|
68%
|
North Country (2005)
|
"An unusually taut film about misogyny that, for the most part, escapes the clichés that often bog down the battle of the sexes."
|
Gabriel Shanks
|
|
69%
|
The Adventures of Felix (Drôle de Félix) (2001)
|
|
Gabriel Shanks
|
|
63%
|
Proof (2005)
|
|
Ned Depew
|
|
94%
|
Proof (1991)
|
|
Ned Depew
|
|
65%
|
Dorian Blues (2005)
|
"Ultimately has little insight into the experience it chronicles. News flash: growing up gay is rough. Who did not know this already?"
|
Gabriel Shanks
|
|
88%
|
Broken Flowers (2005)
|
|
Ned Depew
|
|
84%
|
Mysterious Skin (2005)
|
|
Ned Depew
|
|
43%
|
Three Dancing Slaves (Le Clan) (2005)
|
"Darkly rich in character and mood, provocative in intent...but ultimately foiled by inattention to its own story."
|
Gabriel Shanks
|
|
33%
|
The Baxter (2005)
|
"It argues, ironically, that pretty people should only end up with pretty people, and the best we can do is hope that the temp with bad hair will find us equally nerd-hot."
|
Gabriel Shanks
|
|
38%
|
The Brothers Grimm (2005)
|
"Bombastic, whimsical, and delicious, The Brothers Grimm is really a comic ghost story wrapped in the postmodern folds of Shakespeare In Love."
|
Gabriel Shanks
|
|
26%
|
Fantastic Four (2005)
|
"You can feel the flopsweat of the screenwriters, laboring to make their jokes work and their scenes interesting."
|
Gabriel Shanks
|
|
63%
|
Ladies in Lavender (2005)
|
|
Ned Depew
|
|
60%
|
The Hitchhiker's Guide to the Galaxy (2005)
|
|
Ned Depew
|
|
82%
|
Hustle & Flow (2005)
|
"Meditative and fierce, quiet and pounding, HUSTLE AND FLOW runs the board in a way that few films even attempt."
|
Gabriel Shanks
|
|
74%
|
War of the Worlds (2005)
|
"The man who gave human dimension to the effects of holocaust in Schindler's List has now prostituted human extermination for entertainment. Bread and circuses, indeed."
|
Gabriel Shanks
|
|
70%
|
Off the Map (2003)
|
|
Ned Depew
|
|
55%
|
Lords of Dogtown (2005)
|
"Reaches beyond the cinematic frame as far as it can to catch big air, giving its audience a you-are-there viscerality."
|
Gabriel Shanks
|
|
86%
|
Howl's Moving Castle (2005)
|
"The straightforward narrative constantly seems at odds with Miyazaki's dreamy landscapes and fanciful flourishes."
|
Gabriel Shanks
|
|
64%
|
Heights (2005)
|
"At times the film seems to have nothing more on its mind than the predictable rhythms of soap opera."
|
Gabriel Shanks
|
|
80%
|
Star Wars: Episode III - Revenge of the Sith 3D (2013)
|
"there's a highly complex character in Anakin screaming to get out, and neither writer/director Lucas nor actor Christensen has the chops to set him free. "
|
Jill Cozzi
|
|
65%
|
Unleashed (Danny the Dog) (2005)
|
"...inside this particular piece of hard celluloid candy is a soft, sweet, gooey center."
|
Jill Cozzi
|
|
97%
|
Enron: The Smartest Guys in the Room (2005)
|
"While Smartest Guys sometimes veers into C-Span2: The Movie territory, just then another shocking tidbit will drop to keep the fires stoked."
|
Martin Scribbs
|
|
39%
|
Kingdom of Heaven (2005)
|
"Ultimately, KINGDOM OF HEAVEN can't change actual history. So instead, everyone has to grow a conscience...even the Crusaders have to feel bad about the Crusading."
|
Gabriel Shanks
|
|
39%
|
Kingdom of Heaven (2005)
|
"It's clear that Ridley Scott set out here to make as uncontroversial a film about the Crusades as it's possible to do. "
|
Jill Cozzi
|
|
75%
|
Crash (2004)
|
"CRASH is about the racism we all carry within us, a fact of which Haggis feels he must remind us in almost every scene, lest we forget without his wise counsel. "
|
Jill Cozzi
|
|
80%
|
Star Wars: Episode III - Revenge of the Sith 3D (2013)
|
"An unexpectedly sweet pleasure... a dark and gripping slice of space opera, it successfully avoids the pitfalls of its predecessors."
|
Gabriel Shanks
|
|
91%
|
After Innocence (2005)
|
|
Jill Cozzi
|
|
78%
|
Sin City (2005)
|
"As close to a museum-quality work of visual art as Hollywood as ever seen."
|
Gabriel Shanks
|
|
90%
|
Kung Fu Hustle (2005)
|
"With everything bigger and grander in Chow's singular universe, it's easy to overlook one small detail...that Kung Fu Hustle is less satisfying than its predecessors."
|
Gabriel Shanks
|
|
93%
|
Nobody Knows (Dare mo shiranai) (2004)
|
"Nothing more can be done to lay the concrete reality of poverty out for persons of conscience. Take and read."
|
Martin Scribbs
|
|
64%
|
Bride and Prejudice (2005)
|
"It's got moments, it's got performances to recommend, but they still haven't figured out how to create the magic of Bollywood in a form for the US market."
|
Gabriel Shanks
|
87%
24%
91%
85%
45%
40%
