|
78%
|
Overnight (2004)
|
|
Jarrod Walker
|
|
53%
|
The Last Mimzy (2007)
|
"Classic kids' fantasy in the spirit of Flight of the Navigator and ET."
|
Joe Utichi
|
|
74%
|
Sunshine (2007)
|
"This is Sci-fi at its proudest; an incredible achievement that reminds us why Danny Boyle is the best British director working today."
|
Joe Utichi
|
|
74%
|
Sunshine (2000)
|
|
Joe Utichi
|
|
50%
|
Mr. Bean's Holiday (2007)
|
"The cinematic equivalent of Brussels sprouts; parents will drag their kids to see it whether they want to go or not, and it's bound to leave an unpleasant aftertaste in the mouths of all ages."
|
Joe Utichi
|
|
11%
|
The Hills Have Eyes 2 (2007)
|
"It's all just far too Wes Craven for its own good. He gave Aja free rein to innovate, but as he writes this sequel he rests on every single genre cliché because he doesn't understand that they're still clichés even if he did invent them."
|
Joe Utichi
|
|
40%
|
Open Water 2 (Adrift) (2007)
|
|
Joe Utichi
|
|
100%
|
36 quai des orfevres (2005)
|
|
Joe Utichi
|
|
46%
|
The Last Kiss (2006)
|
"Strong performances and interesting ideas make the film worth a gamble but it's far from the relationship classic it longs to be."
|
Joe Utichi
|
|
65%
|
The History Boys (2006)
|
"Original, on the big screen at least, and entertaining in spite of its problems, The History Boys remains a fine example of this country's talent both in front and behind the camera."
|
Joe Utichi
|
|
68%
|
World Trade Center (2006)
|
"These are voices that deserve to be heard and that there are filmmakers like Stone willing to hear them is more important than anything that might follow."
|
Joe Utichi
|
|
63%
|
Clerks II (2006)
|
"...Probably the funniest film Smith has done since the original - it's chock full of childish humour and witty observations on pop-culture - but there's something real beneath all of that as well. Something, dare it be said, touching."
|
Joe Utichi
|
|
40%
|
The Thief Lord (2006)
|
|
Joe Utichi
|
|
93%
|
An Inconvenient Truth (2006)
|
"This is nothing short of life-changing; a film that needs to be seen by every single person on this planet."
|
Joe Utichi
|
|
48%
|
Driving Lessons (2006)
|
"One of the finest British films of the year, Driving Lessons is a powerful calling card for Grint, who's just turned 18, and, indeed, for Brock's talent as a director. Here's hoping there's a long career in store for both."
|
Joe Utichi
|
|
72%
|
Talladega Nights: The Ballad of Ricky Bobby (2006)
|
"There are laughs to be had within Talladega Nights but they're certainly not worth the money a trip to the cinema will surely cost."
|
Joe Utichi
|
|
67%
|
Right at Your Door (2007)
|
"This is a powerful and well-told debut from Chris Gorak."
|
Joe Utichi
|
|
91%
|
Little Miss Sunshine (2006)
|
"Little Miss Sunshine is a gem of a film, both uplifting and funny."
|
Joe Utichi
|
|
64%
|
Severance (2006)
|
"Full of wonderful set-pieces of both comedy and horror, Severance is a remarkable success..."
|
Joe Utichi
|
|
33%
|
The Sentinel (2006)
|
"Entertaining, certainly, and even the casual moviegoer will have seen worse this year, but this is one of those films you'll forget you've seen within six months."
|
Joe Utichi
|
|
92%
|
Volver (2006)
|
"A deeply resonant, thought-provoking story about how making sense of the past can help clarify our present and future."
|
Rich Cline
|
|
62%
|
Crank (2006)
|
"Ridiculously, incomprehensibly, undeniably cool, brilliantly, passionately and hysterically original; pure cinema heaven."
|
Joe Utichi
|
|
96%
|
Pan's Labyrinth (2006)
|
"Stunningly beautiful and movingly honest, this is one of best films of the year and another notch on the belt of one of the today's most exciting filmmakers."
|
Joe Utichi
|
|
48%
|
Harsh Times (2006)
|
"Harsh Times sneaks up on you."
|
Joe Utichi
|
|
84%
|
Akeelah and the Bee (2006)
|
"It's hard not to fall in love with the film"
|
Joe Utichi
|
|
69%
|
A Scanner Darkly (2006)
|
"That Linklater can keep a light tone running through the film in spite of weighty subject matter ensures that A Scanner Darkly is accessible enough for wide audiences without dumbing down for others."
|
Joe Utichi
|
|
24%
|
Lady in the Water (2006)
|
"As a comedy it's hugely optimistic and as a drama it's wonderfully emotional and that we're afforded the opportunity to make the call for one or the other for ourselves makes this a very clever film."
|
Joe Utichi
|
|
47%
|
Miami Vice (2006)
|
"Not the film we were promised but no shame either, Miami Vice is loaded with just enough thrills and spills to keep us glued to our seats."
|
Joe Utichi
|
|
39%
|
My Super Ex-Girlfriend (2006)
|
"The good news is that My Super Ex-Girlfriend does actually end."
|
Joe Utichi
|
|
47%
|
Renaissance (2006)
|
"One of the year's most exciting sci-fi stories."
|
Joe Utichi
|
|
74%
|
Cars (2006)
|
"An average Pixar movie remains markedly better than the best from any other animation studio."
|
Joe Utichi
|
|
86%
|
Little Fish (2006)
|
|
Joe Utichi
|
|
34%
|
The Break-Up (2006)
|
"It's still very much a quick and painless Hollywood production, what slight genius there is in its premise dulled by the sheen of the high production values and its prettier-than-pretty cast."
|
Joe Utichi
|
|
11%
|
Garfield: A Tail of Two Kitties (2006)
|
"Your kids may beg and plead with you to take them to Garfield 2, but when they become teenagers you'll get the blame for acquiescing."
|
Joe Utichi
|
|
75%
|
Superman Returns (2006)
|
"This Superman takes flight like few before and one wonders whether the film's minor flaws mean only that the sequel, like Singer's X2, is destined to become a real classic of the genre."
|
Joe Utichi
|
|
100%
|
11:14 (2003)
|
|
Joe Utichi
|
|
98%
|
Taxi Driver (1976)
|
"Is Travis a hero or a monster? The question is never answered to any satisfying degree, and Herrmann's score makes sure of that by always playing up the counterpoint of a scene."
|
Shay Casey
|
|
33%
|
Stormbreaker (Alex Rider: Operation Stormbreaker) (2006)
|
"There's so much potential within, but it's terribly squandered. And that's a real shame."
|
Joe Utichi
|
|
76%
|
Little Manhattan (2005)
|
|
Joe Utichi
|
|
92%
|
Dave Chappelle's Block Party (2006)
|
"A concert film for people who don't like concert films, Dave Chappelle's Block Party does such a good job of putting you in the middle of the action that only the end credits can remind you that you're sitting in a movie theatre."
|
Joe Utichi
|
|
54%
|
Reeker (2007)
|
|
Joe Utichi
|
|
13%
|
Just My Luck (2006)
|
"It's very difficult not to get on board with this quirky comedy."
|
Joe Utichi
|
|
51%
|
Cote d'Azur (Crustaces & Coquillages) (2005)
|
|
Joe Utichi
|
|
75%
|
Over the Hedge (2006)
|
"Bursting with energy, excitement and humour while finding a tone that'll have kids and adults alike rolling in the aisles, Over the Hedge is the first of this year's classic animations, destined to be remembered for years to come."
|
Joe Utichi
|
|
85%
|
The Three Burials of Melquiades Estrada (2006)
|
|
Joe Utichi
|
|
36%
|
The Lake House (2006)
|
"Just when we think we've come to terms with its brand of poorly-plotted silliness it ups the ante once more."
|
Joe Utichi
|
|
51%
|
Aquamarine (2006)
|
"As shameless as trashy cookie-cutter studios movies will ever get."
|
Joe Utichi
|
|
54%
|
Pirates of the Caribbean: Dead Man's Chest (2006)
|
"As much as we might want to fall madly in love with this adventure, the disappointment is that it makes its pirates' lives seem just that little less attractive."
|
Joe Utichi
|
|
32%
|
Poseidon (2006)
|
"It is just so miraculously funny that you find yourself being swept up in the ludicrously of it all and there can be no arguing with the sheer attention-to-detail in the effects work, which is breathtaking in its extravagance."
|
Joe Utichi
|
|
52%
|
Secuestro Express (2005)
|
|
Joe Utichi
|
75%
80%
62%
52%
26%
4%
