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4/5 |
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A Scanner Darkly (2006) |
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"That Linklater can keep a light tone running through the film in spite of weighty subject matter ensures that A Scanner Darkly is accessible enough for wide audiences without dumbing down for others." | |
Joe Utichi | |
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2/5 |
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Aeon Flux (2005) |
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"Dashingly beautiful but distressingly dumb." | |
Joe Utichi | |
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3/5 |
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Akeelah and the Bee (2006) |
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"It's hard not to fall in love with the film" | |
Joe Utichi | |
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2/5 |
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Alex Rider: Operation Stormbreaker (2006) |
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"There's so much potential within, but it's terribly squandered. And that's a real shame." | |
Joe Utichi | |
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2/5 |
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Alien Autopsy (2006) |
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Click here to see the review. | |
Joe Utichi | |
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75/100 |
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Alien vs. Predator (2004) |
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"It’s not groundbreaking and it’s not revolutionary, but it is just as exciting as its premise." | |
Joe Utichi | |
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2/5 |
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American Dreamz (2006) |
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"There's a brilliant movie here somewhere, but it's never quite brought out." | |
Joe Utichi | |
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2/5 |
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An American Haunting (2006) |
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"A collection of cheap jump-scares and tacky clichéd imagery that we've seen a million times before." | |
Joe Utichi | |
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40/100 |
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The Amityville Horror (2005) |
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"I can't escape the feeling that if you were to put me in a room with an editing machine, the raw footage, and a collection of sound effects, I could have made a better film." | |
Scott Andrews | |
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88/100 |
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Anatomy of a Murder (1959) |
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"Courtroom procedurals this nimble don't come along often, but with Anatomy of a Murder, Preminger showed how it could be done." | |
Shay Casey | |
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21/100 |
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Anchorman: The Legend of Ron Burgundy (2004) |
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"Avoid Anchorman like the plague, you’ll thank me later." | |
Joe Utichi | |
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1/5 |
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Aquamarine (2006) |
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"As shameless as trashy cookie-cutter studios movies will ever get." | |
Joe Utichi | |
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4/5 |
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The Aristocrats (2005) |
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"The guilty pleasure to end all guilty pleasures." | |
Joe Utichi | |
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93/100 |
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The Assassination of Richard Nixon (2004) |
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"One of the most successful attempts to tell the tale of an, ultimately, criminal person without ever forcing us to condone his crimes." | |
Joe Utichi | |
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88/100 |
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The Aviator (2004) |
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"A little clunky, and firmly in the realm of cinematic fantasy, The Aviator is, nevertheless, a return-to-form for Scorsese." | |
Joe Utichi | |
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83/100 |
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Azumi (2006) |
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"This is a fine example of a Japanese action movie that isn’t all about action." | |
Joe Utichi | |
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