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Critics / Publications / Orlando Sentinel
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• Jay Boyar
• Roger Davidson
• Roger Moore

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Orlando Sentinel

  
( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-50) of 109 1940 Total Next
  

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3/5
     A Scanner Darkly (2006)      "Linklater's willingness to experiment ... is laudable. But I'm not sure he's reinventing animation here, or even adequately serving that older-than-children animation audience."       Roger Moore  
        A.I. Artificial Intelligence (2001)      "For Spielberg to take on a downer of a story like A.I. is like Santa Claus taking charge of the IRS."       Jay Boyar  
  
2/5
     Abandon (2002)      "Wretched, thrill-free thriller."       Jay Boyar  
  
3/5
     Abel Raises Cain (2005)      "If you don't giggle at some of Alan's gags and the reaction our increasingly polarized culture has to them, you're a prime candidate to fall for him next time."       Roger Moore  
  
4/5
     About a Boy (2002)      "A lot of the credit for the film's winning tone must go to Grant, who hasn't lost a bit of the dry humor that first made audiences on both sides of the Atlantic love him."       Jay Boyar  
  
4/5
     About Schmidt (2002)      "A thought-provoking and often-funny drama about isolation."       Jay Boyar  
  
2/5
     Accepted (2006)      "Half-witted it may be, but as back-to-school time-killers go, Accepted's right on the edge of acceptable."       Roger Moore  
  
2/5
     Adam & Steve (2006)      "Starting your film with a display of public incontinence isn't the best way to win over the audience."       Roger Moore  
  
1/5
     Adam Sandler's Eight Crazy Nights (2002)      "Sets animation back 30 years, musicals back 40 years and Judaism back at least 50."       Roger Moore  
  
5/5
     Adaptation (2002)      "One-of-a-kind near-masterpiece."       Jay Boyar  
        The Adventures of Felix (2001)      "Bouajila's winning performance, and the film's timely tolerance, make Felix a movie road trip you'll want to take."       Roger Moore  
        The Adventures of Rocky and Bullwinkle (2000)      "True to the smart-and-zany, shamelessly punning spirit of Jay Ward's hilarious characters."       Jay Boyar  
  
2/5
     Adventures of Sharkboy and Lava Girl in 3-D (2005)      "The movie is unbelievably ugly. The garish colors Rodriguez loves so much wash out in 3-D."       Roger Moore  
  
2/5
     Aeon Flux (2005)      "It's not terrible. It's not so bad that it's fun. Aeon Flux doesn't rhyme with 'flux.' It's just watchably bad, which is no reason to watch it at all."       Roger Moore  
  
4/5
     After Innocence (2005)      "A compelling look at a flawed system."       Roger Moore  
        After the Sunset (2004)      "One of the worst heist pictures ever."       Roger Moore  
  
5/5
     After The Wedding (2007)      "Lovely, dense and surprising."       Roger Moore  
  
3/5
     Against the Ropes (2003)      "Given a real character to play, and one within her range, Ryan delivers a real performance, and a really likable one, in this sassy-but-not-edgy boxing picture."       Roger Moore  
  
2/5
     Agent Cody Banks (2003)      "Too violent for children and too recycled for adults."       Roger Moore  
  
1/5
     Agent Cody Banks 2: Destination London (2004)      "Even by kiddie-flick standards, this one, directed by Kevin Allen, is astonishingly lame."       Jay Boyar  
  
4/5
     The Agronomist (2004)      "A thoroughly fascinating look at a man with a mind that is subtle, sensitive and alert to life's nuances."       Jay Boyar  
  
4/5
     Aileen: The Life and Death of a Serial Killer (2003)      "A haunting exploration of a ruined and wasted life."       Jay Boyar  
  
3/5
     Air Guitar Nation (2007)      "It's a limited movie, from the musical palette the performers choose, to the number of players the movie spends time with."       Roger Moore  
  
3/5
     Akeelah and the Bee (2006)      "... a delight to sit through ..."       Roger Moore  
  
2/5
     The Alamo (2004)      "They may have gotten the history more or less right. But this is an Alamo that could have used a little more Hollywood."       Roger Moore  
  
2/5
     Alex and Emma (2003)      "A literary-minded romantic comedy that barely passes English and flunks chemistry."       Roger Moore  
  
1/5
     Alex Rider: Operation Stormbreaker (2006)      "Nobody wants to see a violent James Bond send-up, with a British teen risking life and limb for Jolly Olde England, matched against a toothpick chomping 'computer genius' villain played by Mickey Rourke."       Roger Moore  
  
2/5
     Alexander (2004)      "Stone and his team of screenwriters paint an incomplete picture of the man and those he led."       Roger Moore  
  
3/5
     Alfie (2004)      "The supporting cast of females (and Epps) is fun to watch, and the film boasts three original songs by Mick Jagger and Dave Stewart."       Jay Boyar  
        Ali (2001)      "Mann ... makes a valiant attempt. And with the loose-limbed Will Smith in the title role, he gets surprisingly far."       Jay Boyar  
  
2/5
     Alien vs. Predator (2004)      "Anderson (Resident Evil, Event Horizon, Mortal Kombat) has a thing for gamelike killing sprees. What he doesn't have is talent."       Roger Moore  
  
4/5
     Aliens of the Deep (2005)      "A master showman's large-format documentary, a movie with great images, great special effects and the sheen of Hollywood often missing in these museum or science-center movies."       Roger Moore  
  
1/5
     All About the Benjamins (2002)      "As violent, profane and exploitative as the most offensive action flick you've ever seen."       Jay Boyar  
  
4/5
     All or Nothing (2002)      "An unsentimental, but nevertheless touching and sincere, reflection on the meaning of family and the fragility of love."       Jay Boyar  
  
2/5
     All That I Need (2005)      "All That I Need isn't really clever enough to hook anybody. You'd have to be a real Nigerian e-mail patsy to swallow this, either the scam or the movie based on it."       Roger Moore  
  
3/5
     All The King's Men (2006)      "All the King's Men is the noblest kind of film failure -- high-minded, literary, cautionary, well-cast and pretty well-acted."       Roger Moore  
        All the Pretty Horses (2000)      "To be a really good movie, All the Pretty Horses would have had to have been almost twice as long. The way it is, it leaves too much out."       Jay Boyar  
  
2/5
     All the Real Girls (2003)      "Undisciplined, unfocused, overimprovised and unevenly acted."       Roger Moore  
  
1/5
     Alone in the Dark (2005)      "Too stupid to watch, too loud to nap through, Alone in the Dark shows just how tenuous Plan Nine From Outer Space's hold on that 'worst movie ever' title really is."       Roger Moore  
        Along Came a Spider (2001)      "Along Came a Spider is watchable, but that's about all."       Jay Boyar  
  
3/5
     Along Came Polly (2004)      "Practically everyone here is a collection of tics, gimmicks and mannerisms."       Jay Boyar  
  
3/5
     Alpha Dog (2007)      "[Writer/director Cassavetes] never masters the tone and lands as many unintentional laughs as intentional ones. But he still manages, on occasion, to chill you to the bone."       Roger Moore  
  
2/5
     Altered (2006)      "Too many of the arguments are whispered, too many settings are missing the horrific atmosphere the movie requires."       Roger Moore  
  
3/5
     Alvin and the Chipmunks (2007)      "Thanks to Alvin and the Chipmunks, the Fab Fur make a comeback any pre-K kid would love."       Roger Moore  
  
4/5
     Amazing Grace (2007)      "Amazing Grace arrives Hollywood-slick, a polished British period piece. It manipulates, but then again, so does the song that gives it its title. Movies, like hymns and history, should give us a good cry."       Roger Moore  
        Amelie (2001)      "Tautou is gloriously alive in the title role."       Jay Boyar  
  
2/5
     America's Heart and Soul (2004)      "Disheartening & Soulless is really a better title for this empty exercise in boosterism."       Jay Boyar  
        America's Sweethearts (2001)      "A terrific romantic comedy about narcissism, insincerity, lunacy and glamour."       Jay Boyar  
  
2/5
     American Dreamz (2006)      "American Dreamz isn't mean enough or funny enough."       Roger Moore  
  
4/5
     American Gangster (2007)      "It's not just Oscar bait for its two dazzling leading men. It's a fascinating look at the Land of Opportunity as seen through the eyes of its most amoral opportunists."       Roger Moore  

  
( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-50) of 109 1940 Total Next
  
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